Events

Direttore della Bibliotheca Hertziana dal 1953 al 1962, Metternich ha riconosciuto nel disegno lo strumento più efficace per comprendere i progetti per la Basilica Vaticana. La mostra Disegnare per capire è concepita come un percorso tra schizzi e tavole di presentazione, seguendo pensieri interrotti e ipotesi abbandonate che hanno definito le forme dell’edificio attuale. [mehr]

Chi esce entra - A Tribute Exhibition to a Disappearing Building

Exhibition curated by Simon Würsten Marin
The Bibliotheca Hertziana – Max Planck Institute for Art History is pleased to announce Chi esce entra, a site-specific and one-time exhibition curated by Simon Würsten Marin.Group exhibition with Vincenzo Agnetti, Louise Bourgeois, Francesca Cornacchini, Jesse Darling, Eva Fàbregas, Tarik Hayward, margaretha jüngling, Thomas Julier, Tarik Kiswanson, Corrado Levi, Paul Maheke, Marie Matusz, Mónica Mays, Hana Miletić, Effe Minelli, Lulù Nuti, Francesca Pionati and Tommaso Arnaldi, Aurélien Potier, Hannah Quinlan & Rosie Hastings, Prem Sahib, Davide Stucchi, Grégory Sugnaux, Ian Waelder, Rachel Whiteread [mehr]

Metamorphosis and the Digital

Workshop
Following the conference Metamorfosi nelle/delle immagini (Rome, September 2024), this second edition, Metamorphosis and the Digital, explores the intersections of iconology, intermediality, and digital humanities at a moment when multimodal AI is reshaping the study of images and texts. [mehr]
What stories does varnish tell? By tracing the fine line between an artist’s hand and later interventions, this seminar explores how advances in conservation help rethink the painted surface. [mehr]
The image is a composition of a page digitization and code to illustrate the topic of the conference
The digital publishing landscape in the humanities, particularly in art history, is evolving at an unprecedented pace. As new infrastructures, workflows, and technologies emerge, the exchange of ideas and experiences becomes essential for those at the forefront of this transformation [mehr]
The Methodology Seminars for Art History in Ukraine: Epistemologies, Agencies, and Margins is a first edition of a two-year scholarly initiative committed to rethinking methodological approaches and future directions of art history within Ukraine. [mehr]
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