Events

Art, Mobility and Border Politics between Italy and North Africa: 1869 – 1993

Workshop
This workshop explores the entanglement of artistic production, human mobility and border politics between Italy and North Africa from the mid-nineteenth through the twentieth century. Its main objective is to challenge the hegemony of European and North American models in studies of modern Italian art, shedding light on the interconnectedness of culture, history and politics across the Mediterranean. [mehr]

Art and Labour in the Age of AI

Workshop
From the nineteenth century onwards, progressive historians emphasized labour as central to social history, and to artistic practice itself: the artist as worker. But what becomes of this view when labour—artistic as well as non-artistic—is fundamentally reframed by artificial intelligence? This question connects directly to the work of Hans Hess, the German Jewish émigré art historian who introduced museology to the UK and played a decisive role in the postwar reception of German Expressionism. Hess placed labour at the centre of art history, and his many unpublished writings are now coming to light through an ongoing archival project. [mehr]

Che cos’è il Sud? Riflessioni sulla “terra inappropriabile”

Research Seminar
Nelle ultime decadi la critica decoloniale e postcoloniale ha riaperto il dibattito sul Sud, senza però chiarirne la natura. In questo seminario Leonardo Mastromauro lo interroga come intensità che destituisce le operazioni del potere. [mehr]

Disegnare per capire: Franz Graf Wolff-Metternich e la genesi della nuova Basilica di San Pietro. Ipotesi e ricostruzioni (1953–1978)

Mostra di ricerca
Direttore della Bibliotheca Hertziana dal 1953 al 1962, Metternich ha riconosciuto nel disegno lo strumento più efficace per comprendere i progetti per la Basilica Vaticana. La mostra Disegnare per capire è concepita come un percorso tra schizzi e tavole di presentazione, seguendo pensieri interrotti e ipotesi abbandonate che hanno definito le forme dell’edificio attuale. [mehr]

Chi esce entra - A Tribute Exhibition to a Disappearing Building

Exhibition curated by Simon Würsten Marin
The Bibliotheca Hertziana – Max Planck Institute for Art History is pleased to announce Chi esce entra, a site-specific and one-time exhibition curated by Simon Würsten Marin. [mehr]

Metamorphosis and the Digital

Workshop
Following the conference Metamorfosi nelle/delle immagini (Rome, September 2024), this second edition, Metamorphosis and the Digital, explores the intersections of iconology, intermediality, and digital humanities at a moment when multimodal AI is reshaping the study of images and texts. [mehr]

Hidden Layers: Varnishes and Technical Challenges in the Study and Conservation of Italian Divisionist Paintings

Research Seminar
What stories does varnish tell? By tracing the fine line between an artist’s hand and later interventions, this seminar explores how advances in conservation help rethink the painted surface. [mehr]
The image is a composition of a page digitization and code to illustrate the topic of the conference

Digital Publishing for Art History

Conference
The digital publishing landscape in the humanities, particularly in art history, is evolving at an unprecedented pace. As new infrastructures, workflows, and technologies emerge, the exchange of ideas and experiences becomes essential for those at the forefront of this transformation [mehr]

The Methodology Seminars for Art History in Ukraine : Epistemologies, Agencies, and Margins

The Methodology Seminars for Art History in Ukraine: Epistemologies, Agencies, and Margins is a first edition of a two-year scholarly initiative committed to rethinking methodological approaches and future directions of art history within Ukraine. [mehr]
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