Marco Brunetti, Ph.D.

Postdoktorand

Forschungsinteressen

  • Roman archaeology
  • Image and text in Roman art
  • Renaissance drawings
  • Renaissance and Medieval topography of Rome

Forschungsprojekt

Topography and Images of the Esquiline Hill from 14th to 16th Century

Publikationen (Auswahl)

  • "Philip II of Spain and Trajan: History of a special undelivered gift and of the Reception of Trajan’s column", Papers of the British School at Rome, 89 (2021), pp. 1–51.
  • (mit Sandro De Maria) "Memorie di pietra. Aspetti della scultura funeraria a Suasa”, in Στην υγειά μας. Omaggio a Giorgio Bejor, ed.  Claudia. Lambrugo, Sesto Fiorentino 2020, pp. 71-78.
  • "Charles V and the Antiquity: uses and functions of the 'all’antica' style in the Late Italian Renaissance", in Arte y Globalización en el mundo hispánico de los siglos XV al XVII, ed. Manuel Parada López de Corselas, Laura María Palacios Méndez, Granada 2020, pp. 215-234.
  • "Three Drawings of the Domus Aurea and the Colosseum at the Uffizi: disiecta membra from a Drawing-book after the Antique?", Memoirs of the American Academy in Rome, 63–64 (2018/2019), pp. 291–322.
  • "I Troica di Nerone e la Volta Rossa della Domus Aurea", Ocnus, 23 (2015), pp. 137-152.

Vita

Marco Brunetti is a PostDoc Fellow who is working on Renaissance drawings of Roman antiquities and Renaissance topography of Rome. His interests are focused on Roman archaeology and reception studies in Renaissance.
He has studied Classics (BA, 2012), Classical Philology (MA, 2014) and Classical Archaeology (MA, 2015) at the University of Bologna. After his study period at the Post-graduated School of Archaeology and Archival Studies (2016), he became PhD candidate at the IMT-Lucca (2016–2020). In 2020 he defended his PhD dissertation on Renaissance drawings of the Domus Aurea, with a specific focus on the Volta Dorata, the main vault of the Neronian building (Co-Advisors Dr. Marzia Faietti and Prof. Eric M. Moormann).
During his PhD period and afterwards, thanks to Erasmus Traineeships and DAAD fellowship in Berlin (2020), he spent several research periods and internships in Italy and abroad (British Museum, Uffizi Museum, Rijksmuseum, and Kupferstichkabinett of Berlin).

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