Main Focus
- Early modern history of science and theatre
- Spatial cognition and the art of memory
- Correspondence studies and social network analysis
- 3D modelling and virtual reality
- Tropes and metaphors
Research Project
Visualizing Theatres of Knowledge: The Science and Media of Epistemic Theatre in Early Modern Europe
Curriculum Vitae
Oscar Seip studied Theatre and Art Studies at the University of
Amsterdam and Cultural and Intellectual History at the Warburg Institute
in London. He is currently finishing his Ph.D. in Italian Studies at
the University of Manchester on the sixteenth-century Italian
philosopher Giulio Camillo and his 'Theatre of Knowledge' as a case
study for the intertwined early modern history of the arts and the
sciences. After his submission, Oscar received a Digital Humanities
Start-up Grant from the John Rylands Research Institute to create a 3D
prototype of Camillo’s theatre, making it possible to explore the
theatre in virtual reality. Oscar is also a founding member of the
Manchester Centre for Correspondence Studies.
Since April 2020,
Oscar is part of the research group "Visualizing Science in Media
Revolutions" led by Dr. Sietske Fransen. His project "Visualizing
Theatres of Knowledge: The Science and Media of Epistemic Theatres in
Early Modern Europe" sets out to explore and classify a corpus of 842
printed works that have the word theatre in their title and were
published between the 16th and 18th century.
Apart from his
scholarly work, Oscar is also, together with Prof. Bryan Reynolds
(University of California, Irvine) a founding member of the European
branch of the Transversal Theater Company (TTC). TTC is an experimental
theatre company known for creating original performance works that
explore charged social, cultural, conceptual, and political realities of
today through the combined social-cognitive theory, performance
aesthetics, and research methodology known as Transversal Poetics.