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Borgo, F.: Nessuno è perfetto. In: Corpi moderni. Mostra: "Corpi Moderni. La Costruzione del Corpo nella Venezia del Rinascimento. Leonardo, Michelangelo, Dürer, Giorgione", Gallerie dell'Accademia di Venezia, 4 aprile - 27 luglio 2025, 1 Ed., pp. 54 - 63 (Eds. Beltramini, G.; Borgo, F.; Manieri Elia, G.). Marsilio Arte, Venezia (2025)

Bremenkamp, A.: Conques, Rome, Jerusalem and Barbastro: The True Cross and a 'Global' Treasury around 1100. In: Conques Across Time. Inventions and Reinventions (9th-21st Century), pp. 300 - 315 (Eds. Foletti, I.; Palladino, A.). Viella, Roma (2025)

Caviezel, N.: Ansichten, Aufsichten [Viewpoints and Overview]. In: Nis Knudsen: Of Color and Composition, pp. 51 - 56 (Eds. Kaufmann, L.; Galerie Hyle). Kerber Verlag, Bielefeld (2024)

Swoboda, G.; Messling, G.: Mengs und Velázquez – Die Prinzessin von Neapel. Ansichtssache #29. Außergewöhnliche Einblicke in die Gemäldegalerie. In: Ausstellungskatalog (Wien, Kunsthistorisches Museum, 17.1.–5.10.2025) (accepted)

Osdacha, O.: (de)Construction of "Post-Soviet" Visualities in Contemporary Ukrainian Photography. In: Art in Ukraine Between Identity Construction and Anti-Colonial Resistance, pp. 61 - 77 (Ed. Biedarieva, S.). Routledge, New York (2024)

Filyuk, K.: Ukrainian photographers opting for truth: from Soviet documentary photography to Russo-Ukainian war images. In: Art in Ukraine between identity construction and anti-colonial resistance (Ed. Biedarieva, S.). Routledge, New York, NY (2024)

Berberoğlu, A.: A Woman Photographer in Ottoman Istanbul: Elisa Zonaro and Her Studio "Atelier Elsa" [Osmanlı İstanbul'unda Bir Kadın Fotoğrafçı: Elisa Zonaro ve Stüdyosu "Atelier Elsa"]. In: Elisa Zonaro's Istanbul [Elisa Zonaro'nun İstanbul'u] (Ausstellung, Kazlıçeşme Sanat, 11/2024-12/2024), pp. 44 - 67 (Ed. Şerifoğlu, Ö. F.). Istanbul (2024)

Raspe, M.: Imitation und Symmetrie. In: Music, Perfomance, Architecture, Vol. 1, pp. 173 - 196 (Eds. Weißmann, T. C.; Pietschmann, K.). Georg Olms Verlag, Baden-Baden (2024)

Lambert, N.: A Manuscript on the Move: The Kitāb al-Hāwī between Tunisia and Naples. In: The Habsburgs in Tunis (Eds. Shalem, A.; Payne, A.). De Gruyter, Berlin (accepted)

Minnucci, R.: Negotiating the future of post-industrial sites through artistic practices. The 1975 Venice Biennale project on the Stucky mill. In: Visual culture of post-industrial Europe, Vol. 12, pp. 267 - 289 (Eds. Guerin , F.; Szcześniak, M.). Amsterdam University Press, Amsterdam (2024)

Kubersky-Piredda, S.: Notions of nationhood and artistic identity in sixteenth- and seventeenth-century Rome. In: Art and its geographies. Configuring schools of art in Europe (1550-1815), pp. 39 - 61 (Ed. Vermeulen , I.). Amsterdam University Press, Amsterdam (2024)

Swoboda, G.: Auf der Suche nach dem verlorenen Format: Produktionsspuren, sekundäre Veränderungen und andere Formen sedimentierter Geschichte. In: Size, Shape and Scale. Die Formate der Malerei (Eds. Saviello , J.; Krüger, M.) (accepted)

Di Bonito, D.: Naturalists and Antiquarians in Istria and Dalmatia between the 17th and the 18th Centuries. In: Discovering medieval art while looking for antiquity. Travellers in southern Europe (17th - Early 19th centuries), pp. 229 - 244 (Eds. Lucherini, V.; D'Ovidio, S.). Viella, Roma (2024)

Bernasconi, V.: Automated Body Pose Estimation on Painting: A Crisis of Uncertainty. In: From hype to reality. Artificial intelligence in the study of art and culture, Vol. 3, (3), pp. 75 - 81 (Eds. Cetinić, E.; Negueruela del Castillo, D.). Bibliotheca Hertziana, Rom (2024)

Bernasconi, V.: Prendre la pose. Nouvelles perceptions picturales à travers la main du chercheur. In: Actes des Entretiens de la Fondation Maison Borel (accepted)

Bartsch, T.: Colonia Agrippina exactissime descripta. Arnold Mercators großer Plan der Stadt Köln von 1571. In: Andere Ästhetik meets Andere Ästhetik. Visualisierungen von Antiken nördlich der Alpen in der frühneuzeitlichen Druckgraphik, pp. 3 - 44 (Eds. Di Carlo, L.; Lipps, J.; Pawlak, A.). De Gruyter, Berlin (2024)

Bartsch, T.: Die römischen Zeichnungen und Gemälde [The Roman Drawings and Paintings]. In: Faszination Rom. Maarten van Heemskerck zeichnet die Stadt [The allure of Rome. Maarten van Heemskerck draws the city](Ausstellung, Kupferstichkabinett, Staatliche Museen zu Berlin, 26.04.2024-04.08.2024), pp. 67 - 97 (Eds. Bartsch, T.; Melzer, C.). Hirmer, München (2024)

Bartsch, T.; Melzer, C.: Einführung [Introduction]. In: Faszination Rom. Maarten van Heemskerck zeichnet die Stadt [The allure of Rome. Maarten van Heemskerck draws the city](Ausstellung, Kupferstichkabinett, Staatliche Museen zu Berlin, 26.04.2024-04.08.2024), pp. 17 - 24 (Eds. Bartsch, T.; Melzer, C.). Hirmer, München (2024)

Bartsch, T.; Melzer, C.: Künstlerische Rezeption und sammlungshistorisches Nachleben der römischen Zeichnungen [The Artistic Reception and Historical Afterlife of the Roman Drawings]. In: Faszination Rom. Maarten van Heemskerck zeichnet die Stadt [The allure of Rome. Maarten van Heemskerck draws the city](Ausstellung, Kupferstichkabinett, Staatliche Museen zu Berlin, 26.04.2024-04.08.2024), pp. 195 - 213 (Eds. Bartsch, T.; Melzer, C.). Hirmer, München (2024)

Borgo, F.; Ezra, R.: The Work of Waste. In: Wastework, Vol. 1, pp. 6 - 39 (Eds. Borgo, F.; Ezra, R.). Officina Libraria, Roma (2024)