Events

Contested Euro-Visions: Universal Value and Global Inequality in the UNESCO World Heritage Arena

Lecture
The UNESCO World Heritage List is a coveted mark of cultural distinction for sites of Outstanding Universal Value (OUV). In this talk, Christoph Brumann explains why, despite decades of reform, there is still a North-South imbalance of OUV sites. [more]

Spatial Communities, Cultural Landscape, and Heritage Agnosticism – Reading Day

Workshop
Combining the reading group “Spatial Communities: New Methodologies for Heritage Landscapes” with special guest Christoph Brumann’s work on heritage agnosticism, this one-morning reading workshop aims to connect individual research projects with the most pressing questions in heritage studies today. [more]

Scaling Conques – The Frames of Reference in Understanding an 'Abbey in a Shell'

International Conference
This conclusive conference of the project “Conques in the Global World” aims at reviewing the question implicit in the projects main title: How is the knowledge we generate about Conques conditioned by the frames of references we apply and what is the right scale of observation to answer our research questions? How does the choice of scale predetermine the results? [more]

Digital Research Infrastructures for Art History

Workshop
Presentation of recent Initiatives at the Bibliotheca Hertziana and the Institut National d’Histoire de l’Art, Paris (INHA) with a Lecture of Federico Nurra, Head of the Digital Research Service at INHA. [more]

An English Alabaster in Aragonese Naples

Research Seminar
In the 15th century, a monumental English alabaster altarpiece of the Passion traveled to Naples, though it was only documented 200 years later. Asking how, where, and why this artwork would have been received in Aragonese Naples, this project explores courtly collecting practices and the tactility of alabaster. [more]

Stone into Stone

Research Seminar
What does it mean for an artist to transform stone into stone? How do we understand mimesis that eliminates the difference between material and its representation? This lecture examines these questions through the lens of Gianlorenzo Bernini’s Four Rivers Fountain (1648-51), focusing on its rocky grotto base hewn from craggy, porous travertine so as to look like the stone itself in its natural state. [more]

Memory Traces: The Intellectual Work of the Line in Leonardo da Vinci’s Drawing Practice

Research Seminar
In this conversation, two experts from the field of Renaissance art history examine drawings by Leonardo da Vinci and uncover a particular workshop practice of the artist. [more]

AI & Cities 2024. Digital Double: Situating and Troubling AI Technologies for Architectural Reconstruction and Urban Simulation

A double, in the figurative sense, refers to a situation or concept that has two possible interpretations. What happens when we transpose this notion of the double into the digital realm, precisely in the context of a digital transition that affects the way we build, govern, and imagine cities? [more]

Plant Plant tra eredità del ventennio e pratiche artistiche in Alto Adige/ Südtirol

Film Seminar
Mettendo in dialogo storia, pratiche curatoriali e pratiche artistiche, il seminario interroga le potenzialità e i limiti delle arti visive nell’indagare, narrare, visualizzare e risignificare la difficile eredità del fascismo in Alto Adige, a partire dal film Plant Plant (2021) dell’artista Katrin Hornek. Intervengono Andrea Di Michele, Emanuele Guidi e Katrin Hornek. [more]

Female Figures on the Moon: Intertwining Science, Philosophy and Literature

Research Seminar
In this lecture, Natacha Fabbri will introduce her recent work on the multifaceted relationship between women and the Moon in Western culture from the 16th to the 19th century. The talk will discuss the pioneering women who studied, described, and depicted the Earth’s satellites, as well as the role that the new image of the Moon played in the debate on the querelle des femmes, serving as a tool to challenge prejudicial readings. [more]

Varieties of Modification of the Print

Keynote lecture - part of: The Paper Project Workshop "Touched/Retouched: Paper across Time (1400–1800)"
Whereas drawings only begin to change after they have been drawn, prints can change before, during, and after printing. [more]

Form, Style, Principles: Art Historical and Theoretical Reflections – A Conference of the Wölfflin Edition

Conference
Recent discussions in aesthetics and art history, literature, and visual studies have seen a renewed interest in questions of form and formalism. Whether in connection with algorithmic thinking, computer vision, and artificial intelligence, or with transcultural comparisons, revised narratives of modernism, re-conceptualisations of formlessness, and cognitive reflections on connoisseurship, form and formalism have regained currency in current discourses on a transhistorical and transdisciplinary level. It has become clear that an “archaeology of knowledge” about these crucial notions is indispensable in teasing out their critical potential and in productive application of what has also been termed “new formalism” or “post-formalism”. [more]

After the Middle Ages (Reception, Remnants, Revival): Architecture and Medievalism

Conference
“After the Middle Ages” implies both a temporal horizon, extending from the early modern period to the present day and beyond, and responses to the Middle Ages (medievalism). The conference aims to navigate the historical interactions between these responses and architecture, fostering critical discussions surrounding an “architectural history of medievalism”. [more]

Reliquie murate – allestimenti, segni e memoria / Immured Relics – Display, Signs and Memory

Conference
This workshop is to explore the relation between relics and architecture. First and foremost, cases of relics physically built into the architectural fabric of churches and chapels will be addressed, such as columns whose capitals have been equipped with relics, triumphal arches or the apse’s semi-dome with relic depositories, “secret chambers” or even foundations and walls fortified by holy material. [more]
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