Junior Scholars

Department Michalsky

Florian Abe, M.A.
"Die geystlich Straß". Late Medieval Stations of the Cross as Immersive Urban Ensembles of Salvation

Valentina Balzarotti, Ph.D.
Dalla Galleria delle Carte Geografiche all’Italia di Giovanni Antonio Magini: Persistenza, ricorrenza e rielaborazione del modello di Flavio Biondo nella produzione cartografica e testuale tra Gregorio XIII e Clemente VIII

Dr. des. Adrian Bremenkamp
Historische Topographie der Repräsentation von Heiligen im Kontext dynastischer Legitimation und Identifikation in Süditalien (13.–14. Jahrhundert)

Patricia Pia Bornus, M.A.
Kunst und Kosmos. Astronomische Abbildungen der Frühen Neuzeit zwischen Ästhetik und Evidenz

Viviana Costagliola, Ph.D.
Napoli e i suoi contorni: la documentazione fotografica del patrimonio storico-artistico di Napoli e dell’Italia Meridionale (1861-1914)

Anna Chiara Giusa, M.A.
Messina 1509–1557: A Centre for Artistic Experimentation

Alberto Lo Pinto, Ph.D.
Milan as Site of Social Anxiety: Negotiating Notion of Modernity and Gender in Michelangelo Antonioni's "La Notte" (1961)

Salvatore Martinelli, M.A.
Die kosmologische figura des Antonino Saliba

Víctor Martín García
Che ogni occhio negozi da solo. Riflessioni intorno alla costruzione della storia, della memoria e dell’oblio nella pratica audiovisiva del found footage, cinema di compilazione e di archivio

Cigdem Özel, M.A.
"Antike Wunder und eine moderne Königin" – The Art Patronage of Maria Carolina (1752–1814), Queen of Naples-Sicily, in the Context of Artistic and Cultural Exchange between Naples and Vienna

Dr. Elisabetta Scirocco
Die Bewältigung von Naturkatastrophen im Spiegel der historischen Rekonstruktionen Neapels

Dr. Sabine Sommerer
Performing Chairs. Materiality and Mediality of Medieval Seats

Antonino Tranchina, Ph.D.
Architettura sacra nello Stretto di Messina: il monachesimo greco e il patrocinio normanno

Carlo Ugolotti, Ph.D.
A Tale of Two Cities: The Cinematographic Representation of Naples from Fascism to the Republic (1922–1962)

Judith Utz, M.A.
Raumgreifend. Künstlerische Strategien materialästhetischer Konstitution von Raum in Süditalien 1000–1250

Susanne Watzenboeck, M.A.
Nanni Moretti – Io è un altro


Department Weddigen

Marica Antonucci, M.A.
After Engagement. Art and Community in Italy 1960–1978

Daniel Becker, M.A.
Das Aquatische und Fluide als skulpturales Element in der italienischen Kunst

Katharina Bedenbender, M.A.
Die theologia duplex der Agrumen in der Frühen Neuzeit. Goldene Früchte bei Giovanni Pontano und Andrea Mantegna

Maria Bremer, Ph.D.
Exhibition-Made History. Revisiting Epochal Shifts from the Modern to the Contemporary

Franz Engel, M.A.
Seismic Baroque: Coral Stone Churches in the Philippines of the Spanish Colonial Period (1565–1898) and Their Place in Global Architectural History

Nora Guggenbühler, M.A.
Traveling Mary: Multiplication and Dissemination of Miraculous Images of Mary in the Hispanic World

Charles Kang, M.A.
Before the Reality Effect: Wax Representations in Eighteenth-Century France

Lilla Mátyók-Engel, M.A.

Zwischen Innovation und Konservierung. Objekte der Nationalbruderschaft der Hl. Katharina aus Sienain Rom (ca. 1520–1625)

Dr. Fernanda Marinho 
Brazilian Modernism and the Italian Paradigm. The Commemorative Exhibition of the Fiftieth Anniversary of Official Immigration

Emiliy Monty, M.A.
Printmaking in Rome in the Age of Philip II (1556–1598)

Carlotta Paltrinieri, Ph.D.
Networks of Florentine Artistic Influence in the Roman Seicento: Inside and Outside the Nazione Fiorentina

Dr. Alexander Röstel
Cultural Exchanges between Italy and Portugal, c. 1400-1750

Amir Saifullin, M.A.
'Setup' and 'Projection' as Modes of Organisation of Knowledge and Vision in Early Soviet Visual Culture

Dr. des. Katharine Stahlbuhk
Dignitas domus. Die (Selbst-)Inszenierung eines Konvents als städtische Institution

Barbara Tiberi, M.A.
Creativity and the Production Sector: Artists and Industries in the 1960s. The Case of Italy in the International Context

Laura Valterio, M.A.
Striving for Eternity. Material Experimentation in Seventeenth Century Roman Painting

David Zagoury, Ph.D.
Perpetuum. Continuous Pictorial Fields 'around' 1555


Research Group Visualizing Science (Fransen)

Giosuè Fabiano, M.A.
Natural Light, Religious Time and Mural Painting in Late Medieval and Early Renaissance Italy (c. 1250–1500)

Pamela Mackenzie, M.A.
Microscope/Macrocosm: Early Modern Technology, Visualization and Representations of Nature

Jaya Remond, Ph.D.
Expanding Fields of Vision: Pictures, Plants, and Artistic Authority

Christoph Sander, M.A.
Diagrams in Early Modern Science: the Case of Magnetism

Oscar Seip, M.A.
Visualizing Theatres of Knowledge: The Science and Media of Epistemic Theatres in Early Modern Europe

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