Home Research Research Projects A-Z Research Projects A-Z Linked Data Infrastructure for Cognitive Computing Dr. Alessandro Adamou [more] Clients and Artists: Spaces and Forms of Self-Representation in Medieval Churches of Basilicata (XII–XIII Centuries) Chiara Audizi, M.A. [more] Dalla Galleria delle Carte Geografiche all’Italia di Giovanni Antonio Magini: Persistence, recurrence and reworking of Flavio Biondo's model in the cartographic and textual production between the papacy of Gregory XIII to the one of Clement VIII Valentina Balzarotti, Ph.D. [more] Brautstiftung mit Obelisk. Maarten van Heemskercks Vermächtnisse "tot eewiger memorie" Dr. Tatjana Bartsch [more] Faktizität und Gebrauch früher Fotografie Dr. Tatjana Bartsch [more] Oberflächeninteresse: Ein reisender Zeichner in Rom um 1550 Dr. Tatjana Bartsch [more] Historische Topographie der Repräsentation von Heiligen im Kontext dynastischer Legitimation und Identifikation in Süditalien (13.–14. Jahrhundert) Dr. Adrian Bremenkamp [more] «Roma = Parigi». La contestazione giovanile e le istituzioni artistiche, tra aspirazioni libertarie e vocazione anti-sistema Dr. Elisa Bassetto [more] The Image of Naples in Sultan Abdülhamid II’s Photography Collection Dr. Alev Berberoğlu [more] Displacement and Reconfiguration: The Effects of the Florentine Guasto of 1529 on Devotional Spaces and Networks of Artistic Patronage Chiara Capulli, MPhil [more] Earth Materials in the Work of Roberto Matta in Italy (1950s–1960s) Paulina Caro Troncoso, M.A. [more] Nascita della commedia napoletana. Uno studio sul gesto nelle farse e nella pittura di genere Elenio Cicchini, Ph.D. [more] Erkenntnis und Zweifel. Neapolitanische Malerei und wissenschaftlicher Wandel im 17. Jahrhundert Şirin Datli, M.A. [more] Transnational Encounters: Diasporic Narratives across Italy and Latin America (1960s–1980s) Dr. Lara Demori [more] Portatrici, Lavandaie, Cucitrici: Picturesque Modernism and the Image of the Italian Woman at Work Anna Aline Mehlman Dumont, B.A. [more] Heinrich Wölfflins, "Italien und das deutsche Formgefühl" (1931) Dr. Teresa Ende [more] Heinrich Wölfflin, "Die Kunst Albrecht Dürers" (1905) Dr. Elena Filippi [more] The Visual Culture of the Italian Mezzogiorno. Cinema and Tourism Production Systems (1947–1962) Malvina Giordana, Ph.D. [more] Visualizing Europe in Late Ottoman Capital: Photographs, Drawings, and Remediations Dr. Semra Horuz [more] Interventions in Public Spaces: Contemporary Art, Institution and the City Prof. Hou Hanru [more] Seicento Architecture for Fascist Italy. Armando Brasinis Projects in Italy, its Colonies, and Beyond Philipp Hubert, M.A. [more] Early Modern Computer Vision Leonardo Impett, M.A. [more] Digital Humanities Lab Leonardo Impett, M.A. und Dr. Martin Raspe [more] Signaling Saintly Presence: Constructing Identity in Fourteenth to Seventeenth-Century Dalmatia Rebecca Johnson, M.A. [more] Mural Painting of the Church of the Savior at Berestove: Semantics. Stylistics Alina Kondratiuk, Ph.D. [more] Violence of the Image Lesia Kulchynska, Ph.D. [more] Picturing Mobility: Late Medieval and Renaissance Naples at the Threshold of the Mediterranean Nora Lambert, M.A. [more] Mapping Sacred Spaces - The Digital Archive Project Ruggero Longo, Ph.D. [more] Transcultural Negotiations: Aristocratic Tombs in Naples in the Time of the Spanish Viceroys Dr. Anna Magnago Lampugnani [more] Project to Update the Brauer-Wittkower Corpus of Bernini's Architectural Drawings Prof. Dr. Tod Marder [more] Archivio Staccioli: 1971–1981 Caterina Martinelli, M.A. [more] In Dialogue: Medial Thinking in Bolognese Printmaking, 1500-1530 Ariella Minden, M.A. [more] Performing Naples in the 1970s: Artistic Experiments in the Urban Context Dr. Roberta Minnucci [more] The Map as a Cultural Technique. Transmedial Approaches to (Western) Cartographic Imagination Dr. Tommaso Morawski [more] Drawn to Law: Legal Drawings in Early Modern Italy in an Age of Empire Linda Müller, M.A. [more] Transnational Artistic Networks: Italians, Spaniards and Latin Americans in Rome, 1870-1915 Dr. Giulia Murace [more] Operations of the Image: Painting, Medicine, and the Origins of Aesthetics in Early Modern Rome and Naples Alejandro Octavio Nodarse, M.A. [more] Paradise Gatekeepers. Social Space and Preservation of Italian Heritage in Global Context: The Amalfi Coast Case Costanza Paolillo, Ph.D. [more] The Power of Material Narratives: Constructing Shrines Across the Pyrenees Over the Long Twelfth Century Kris Racaniello, MPhil [more] Archive Practices and the Photographic Medium Oleksandra Osadcha, Ph.D. [more] Vincenzo Brenna: The Travelling Architect Dr. Dimitri Ozerkov [more] Das Grabmal der Prinzessin Cantacuzena in Santa Maria sopra Minerva in Rom Dr. Johannes Röll [more] Die Photothek des Instituto di Corrispondenza Archeologica im Kontext der frühen Fotografie in Rom Dr. Johannes Röll [more] Skulptur in Spanien um 1500 Dr. Johannes Röll [more] Draw Your Weapons: Urs Graf and the Self-Preservation of Drawings Sarah C. Rosenthal, M.A. [more] Worship and Magnificence in Naples between the Middle Ages and the Modern Age. The Case of Noble Chapels Mariano Saggiomo [more] History of the Obelisk DUX Dr. Paola Salvatori [more] Studien zum bildhauerischen Werk von Flaminio Vacca Dr. Regine Schallert [more] Towards a Collaborative Cultural Analysis of the City of Rome Prof. Dr. Maximilian Schich [more] Santa Maria in Cosmedin – Architektur, Ausstattung, Geschichte Dr. Michael Schmitz [more] Neapel und die Naturkatastrophen: eine Kunsthistorische Katastrophenforschung Dr. Elisabetta Scirocco [more] Concepts and Practices of Sacred Space in Medieval Southern Italy Dr. Elisabetta Scirocco [more] Burgundy in Bethlehem: Architectural Diplomacy in Fifteenth-Century Mamluk Syria Braden Scott, Ph.D. [more] Aus der Karibik nach Rom: Erkundungen über Francesco Cadet Dr. Lothar Sickel [more] Shape-shifting: Transfiguring Art History Grégory Sugnaux [more] Otto Lehmann-Brockhaus (1909–1999): Studium und frühe Laufbahn Dr. Lothar Sickel [more] Neue Forschungen zum Kunstbesitz des Kardinals Jacopo Sannesi Dr. Lothar Sickel [more] Counterfactual Artistic Practices in the Late XX-XXI Centuries Alexander Sushinsky, M.A. [more] Durissimum iudicium gentibus profert: On the Production and Circulation of Philippe Thomassin’s Last Judgment (1606) Ianick Takaes de Oliveira, M.A. [more] Heinrich Wölfflins "Kunstgeschichtliche Grundbegriffe" (1915) Dr. Tobias Teutenberg [more] The Visual World of Early Modern Acoustics, 1660–1718 Leendert van der Miesen, M.A. [more] Five Frames and the Stories They Tell Julia Vázquez, Ph.D. [more] The Poetics of Infrastructure PD Dr. Erik Wegerhoff [more] Painted Processonial Crosses in Late Medieval Italy (c. 1250–1400): Movement, Mediation and Multisensory Effects Stephanie Wisowaty, M.A. [more] Michelangelo, le verità della pietra. Architetture oltre la superficie Prof. Vitale Zanchettin [more] The Bourbon Middle Ages: Neo-Medieval Architecture and the Politics of the Risorgimento Tommaso Zerbi, Ph.D. [more]
