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Graul, J.: Giorgio Vasari, Porträt des Andrea del Castagno. In: Idole und Rivalen. Künstlerischer Wettstreit in Antike und Früher Neuzeit (Ausstellungskatalog Wien), p. 166 (Ed. Swoboda, G.). Berlin (2022)

Graul, J.: Andrea Mantegna, Kampf der Meeresgötter; Filippo Negroli/ Giovan Battista Negroli, Medusenschild; Joachim von Sandrart, Minerva und Tempus beschützen Kunst und Wissenschaft vor Lüge und Neid. In: Idole und Rivalen. Künstlerischer Wettstreit in Antike und Früher Neuzeit (Ausstellungskatalog Wien), pp. 167 - 171 (Ed. Swoboda, G.). Berlin (2022)

Graul, J.: Andrea Mantegna, Battle of the Sea Gods, Filippo Negroli/ Giovan Battista Negroli, Medusa Shild, Joachim von Sandrart, Minerva and Tempus Protecting the Arts and Science from Envy and Lies. In: Idols & Rivals. Artistic Competition in Antiquity and the Early Modern Era, pp. 167 - 171 (Ed. Swoboda, G.). Berlin (2022)

Jorink, E.: Cartesian Sex. Dutch anatomists on genitalia, lust and intercourse (ca 1660-1680). In: Les Libertins néerlandais/The Dutch Libertines. Libertinage et philosophie à l’époque classique (xvi--xviii siècle), pp. 248 - 299 (Eds. Gengoux, N.; Girard, P.; Laerke, M.). Paris (2022)

Kondratiuk, A.: До питання семантики монументального живопису церкви Спаса на Берестові (On the issue of semantics of the monumental painting of the Church of the Savior at Berestove). In: Культура і мистецтво: сучасний науковий вимір: матеріали VI Всеукр. наук. конф. молод. вч., асп. та магістран (Culture and art: modern scientific dimension: materials of the VI All-Ukrainian scietific conference of the young academician, assist. and young scientists), pp. 74 - 75. Kiew (2022)

Kulchynska, L.: Violence is an Image: Weaponization of the Visuality During the War in Ukraine. In: Tactical Media Room Ukraine (2022)

Maurer, G.: Glanz und (vor allem) Elend – Deutsche Künstler der Romantik in Rom. In: Reframing Friedrich Nerly. Landschaftsmaler, Reisender, Verkaufstalent, pp. 103 - 126 (Eds. Denk, C.; Schierz, K. U.; von Taschitzki, T.). München (2022)

Maurer, G.: Dipingere quello che non si vede. Le Paludi Pontine nella recezione dei viaggiatori e pittori tedeschi della prima metà dell’Ottocento. In: Ninfa. Percezioni nella scienza, nella letteratura e belle arti nel XIX e all’inizio del XX secolo, pp. 193 - 198 (Ed. Matheus, M.). Regensburg (2022)

Maurer, G.: ‘Was Ihnen und andern Freude macht ...‘ – Zeichnen im Zeitalter Goethes. In: Zeichnen im Zeitalter Goethes (Ausstellungskatalog Frankfurt 2022), pp. 34 - 37 (Eds. Hennig, M.; Struck, N.). Frankfurt (2022)

Michalsky, T.; Scirocco, E.; Rywikowá, D.: Royal nunneries at the center of medieval Europe: art, architecture, aesthetics (13th-14th centuries). In: Royal Nunneries at the Center of Europe. Art, Architecture, Aesthetics (13th-14th Centuries), Convivium, Supplementum, pp. 10 - 19 (2022)

Minden, A.; Savoia, P.: The Body Between Life and Death: Berengario da Carpi and the Anatomical Imagery of the Sixteenth Century. In: Rethinking Medical Humanities: Perspectives from the Arts and Social Sciences, pp. 173 - 204 (Eds. Canalis, R. F.; Ciavolella, M.; Finucci, V.). Berlin (2022)

Musial, A.: Beyond capriccio: Piranesi’s transgressive classicism and its Eastern European receptions. In: Piranesi@300, pp. 185 - 193 (Eds. Bevilacqua, M.; Hornsby, C.). Rom (2022)

Özel, C.: Jan van der Hamen y León, Jan van Rossum, Cornelis Bisshop. In: Idole & Rivalen. Künstlerischer Wettstreit in Antike und Früher Neuzeit (Ausstellungskatalog, Wien, Kunsthistorisches Museum, 20.9.2022–8.1.2023), pp. 44 - 47 (Ed. Swoboda, G.) (2022)

Ozerkov, D.: Django and the Two Feelings. In: Jan Fabre: Allegory of Caritas (An Act of Love), curated by Melania Rossi (Ausstellungskatalog, Rome, Mucciaccia Gallery, 2022–2023), pp. 9 - 16 (Ed. Rossi, M.). Silvana Editoriale, Mailand (2022)

Ozerkov, D.: I Must Stop Being Miró: Primitivism as an Artistic Method. In: Joan Miró: The Essence of Past and Present Things (Ausstellungskatalog, Mons, BAM, 08.10.2022–08.01.2023), pp. 65 - 75 (Ed. Noel-Johnson, V.). Snoeck Publishers (2022)

Reinhart, K.: Autonomy & Diversity: The Frontispieces of the early Royal Society. In: Einladende Buch-Anfänge. Titelbilder in der frühen Neuzeit (Wolfenbütteler Forschungen 170), pp. 392 - 394 (Ed. Laube, S.) (2022)

Renz, S.: Before and After the Big Ruptures. The Ukraine in Travel Guides and Atlases in the First Half of the 20th Century. In: Describing the Ukraine https://rarebooks.biblhertz.it/describing_ukraine (Ed. Teutenberg, T.) (2022)

Sander, C.: Teaching Magnetism in a Cartesian World, 1650-1700. In: Descartes in the Classroom: Teaching Cartesian Philosophy in the Early Modern Age, pp. 313 - 342 (Eds. Cellamare, D.; Mantovani, M.). Leiden (2022)

Sander, C.; Valleriani, M.: Paratexts, Printers, and Publishers: Book Production in Social Context. In: Publishing Sacrobosco’s De sphaera in Early Modern Europe: Modes of Material and Scientific Exchange, pp. 337 - 367 (Eds. Valleriani, M.; Ottone, A.). Cham (2022)

Schelbert, G.: Die kunsthistorische Bilddatenbank zwischen digitalisierter Diathek und visuellem Wissensraum. In: Lehrmedien der Kunstgeschichte, Geschichte und Perspektiven kunsthistorischer Medienpraxis, pp. 354 - 373 (Eds. Locher, H.; Männig, M.). Berlin (2022)