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Scirocco, E.; Palladino, A.: The “Middle Ages” Interconnectedness. In: Convivium. Exchanges and Interactions in the Arts of Medieval Europe, Byzantium, and the Mediterranean, pp. 12 - 13 (Eds. Scirocco, E.; Palladino, A.) (2021)

Sickel, L.: Cardinal Ferdinando de’ Medici employs the Netherlandish Goldsmith Alberto Cesari. In: Typographia Linguarum Externarum – the Medici Oriental Press: Knowledge and Cultural Transfer around 1600, pp. 179 - 184 (Eds. Wolf, G.; Leuschner, E.). Olschki, Florenz (2021)

Stahlbuhk, K.: La pittura murale monocroma in terra verde: un’introduzione. In: Il restauro delle pitture murali di Paolo Uccello nel Chiostro Verde, pp. 54 - 74. Florenz (2021)

Stahlbuhk, K.: Dipinti in ‘terraverde’ per il Papa. Una nuova interpretazione delle storie della Genesi nel Chiostro Verde. In: Il restauro delle pitture murali di Paolo Uccello nel Chiostro Verde, pp. 75 - 102 (Ed. Frosinini, C.). Florenz (2021)

Stahlbuhk, K.: "‘The Mode of Painting with Green Earth […] in the Monasteries of the Black Monks’. Monochrome Wall Painitings and the Santa Giustina Congregation. In: The Network of Cassinese Arts in Renaissance Italy, pp. 225 - 242 (Eds. Nova, A.; Periti, G.). Rom (2021)

Tabanelli, M.: Il castello e la sua foresta: caccia e rappresentazioni della Natura nelle sculture di Lagopesole. In: Domus sapienter staurata. Scritti di storia dell’arte per Marina Righetti, pp. 565 - 573 (Eds. D’Achille, A.; Iacobini, A.; Pistilli, P.). Cinisello Balsamo (2021)

Tabanelli, M.: La natura alla corte di Federico II di Svevia. In: Sympatric areas: un progetto di ricerca artistica ed ecologica a lungo termine, pp. 178 - 185. Modena (2021)

Teutenberg, T.: Maximilian Franck. Deutsche Künstler-Gallerie (1813). In: Pantheon und Boulevard. Künstler in Porträtserien des 19. Jahrhunderts. Druckgrafik und Fotografie, pp. 202 - 203 (Eds. Brand, A.; Hefele, F.; Lehner, H.; Pfisterer, U.). Passau (2021)

Teutenberg, T.: Die Kunst der Anschauung. Zur Bildungsgeschichte des Blicks im langen 19. Jahrhundert. In: Kunst und Pädagogik in historischer Perspektive, pp. 192 - 209 (Eds. Engels, S.; Kirschenmann, J.). München (2021)

Tranchina, A.: Minima graeca calabra. Il frammento d’arco in stucco da Santa Maria di Terreti (Reggio Calabria). In: Minima Medievalia, pp. 2 - 19 (Ed. Coden, F.). Cinisello Balsamo (2021)

Tranchina, A.: Il porto di Messina nel XII secolo. Litorale, architettura e mitografia del potere/The Harbor of Messina in the 12th century. Coast, Architecture, and the Mythography of Power. In: Sympatric areas, pp. 64 - 74. Rom (2021)

Ugolotti, C.: Tra il Vietnam e il medico della mutua: Il cinema a Parma nel lungo Sessantotto. In: Parma ’68. Gli anni della contestazione giovanile e la stagione dei movimenti, pp. 209 - 232 (Ed. Mastrodonato, A.) (2021)

Ugolotti, C.: Il campo PG122: una storia di cinema e prigonieri. In: Prigionieri in Italia: militari alleati e campi di prigionia (1940-1945), pp. 153 - 178 (Ed. Minardi, M.) (2021)

Varela Braga, A.: Il Gusto Moresco. Amateurs and Artists in Florence and Rome during the Second Half of the 19th Century. In: Mudejarismo and Moorish Revival in Europe. Cultural Negotiations and Artistic Translations in the Middle Ages and 19th-century Historicism, pp. 173 - 191 (Ed. Giese, F.). Leiden (2021)

Varela Braga, A.: Learning from Casts and Models. Schools and Academies in 19th-Century Europe and the Specific Case of the Alhambra Collection in St. Petersburg. In: Mudejarismo and Moorish Revival in Europe. Cultural Negotiations and Artistic Translations in the Middle Ages and 19th-century Historicism, pp. 235 - 265 (Ed. Giese, F.). Leiden (2021)

Varela Braga, A.: The Alhambra as a Historicist Matrix for Museum Display. In: Mudejarismo and Moorish Revival in Europe. Cultural Negotiations and Artistic Translations in the Middle Ages and 19th-century Historicism, pp. 327 - 347 (Ed. Giese, F.). Leiden (2021)

Varela Braga, A.: The Fortune of the Court of the Lions and the Court of the Dolls. Artistic Trans-lations and Processes of Decontextualization. In: Mudejarismo and Moorish Revival in Europe. Cultural Negotiations and Artistic Translations in the Middle Ages and 19th-century Historicism, pp. 379 - 409 (Ed. Giese, F.). Leiden (2021)

Varela Braga, A.: The Hybridization of Sebka Ornament. In: Mudejarismo and Moorish Revival in Europe. Cultural Negotiations and Artistic Translations in the Middle Ages and 19th-century Historicism, pp. 431 - 459 (Ed. Gise, F.). Leiden (2021)

Varela Braga, A.: Revisiting the Alhambra. Transmediality and Transmateriality in 19th-Century Italy. In: Mudejarismo and Moorish Revival in Europe. Cultural Negotiations and Artistic Translations in the Middle Ages and 19th-century Historicism, pp. 463 - 489 (Ed. Giese, F.). Leiden (2021)

Vitacca, S.: Sur les traces de Michel-Ange: Artistes et écrivains à Florence à la fin du XIXe siècle. In: Florence, ville d’art, et les français: la création d’un mythe, pp. 111 - 122 (Eds. Lepoittevin, A.; Merot, A.) (2021)