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Demori, L.: Nello studio di BarryxBall. Antinomie (2022)

Borgo, F.: Martin Kemp, Domenico Laurenza, Leonardo da Vinci’s Codex Leicester: A New Edition, 4 vols., Oxford Universi-ty Press, 2020. Renaissance Quarterly 75 (2), pp. 583 - 589 (2022)

Caruso, M.: Photographing Mussolini. The Making of a Political Icon by A. Antola Swan. Italia Contemporanea (297), pp. 293 - 295 (2022)

Filippi, E.: Review of Jeffrey Chipps Smith: “Albrecht Dürer and the Embodiment of Genius: Decorating Museums in the Nineteenth Century”. University Park: Pennsylvania State University Press, 2020. Renaissance Quarterly 75, pp. 1309 - 1310 (2022)

Martinelli, S.: Rezension von Susanne Rau: History, Space and Place. Quellen und Forschungen aus italienischen Archiven und Bibliotheken 102, pp. 556 - 557 (2022)

Tranchina, A.: Rezension von: Therese Martín, The Medieval Iberian Treasury in the Context of Cultural Interchange (Brill 2020). Arte medievale 12, pp. 266 - 267 (2022)

Vacchelli, C.: Rezension von: Lorenzo Di Paola & Mario Tirino. Poi piovve dentro l’alta fantasia. Dante e i fumetti (Polidoro 2021). Simultanea 3 (2022)

Adamou, A.: Vincenzo Lombardo, Tugce Karatas, Monica Gulmini, Laura Guidorzi u. Debora Angelici, Transdisciplinary Approach to Archaeological Investigations in a Semantic Web Perspective. Semantic Web, Special Issue Cultural Heritage (2021)

Adamou, A.: Nicolas Lasolle, Olivier Bruneau, Jean Liebe u. Laurent Rollet, Temporal Knowledge Representation for Historical Cor-pora: Application to the Henri Poincaré Correspondence Corpus. Semantic Web, Special Issue Cultural Heritage (2021)

Adamou, A.: Basel Shbita, Craig A. Knoblock, Yao-Yi Chiang, Weiwei Duan, Johannes H. Uhl u. Stefan Leyk, Building Spa-tio-Temporal Knowledge Graphs from Vectorized Topographic Historical Maps. Semantic Web (2021)

Bremer, M.: Feminism and Art in Postwar Italy: The Legacy of Carla Lonzi. Third Text (2021)

Brunetti, M.: Die Kunst der Antike. Meisterwerke der Münchner Antikensammlungen (2017). Athenaeum 109, pp. 742 - 743 (2021)

Ebert-Schifferer, S.: Rezension von Jonathan Bober, Piero Boccardo, Franco Boggero et al., A Superb Baroque. Art in Genoa 1600-1750, Princeton/Oxford 2020. 21: Inquiries into Art, History and the Visual – Beiträge zur Kunstgeschichte und visuellen Kultur, pp. 174 - 179 (2021)

Sander, C.: Rezension: Early Modern Disputations and Dissertations in an Interdisciplinary and European Context (Brill 2020), hg. v. Meelis Friedenthal, Hanspeter Marti, Robert Seidel. Journal of Jesuit Studies 8, pp. 520 - 522 (2021)

Scirocco, E.: Rezension: Vinni Lucherini, La Cronaca angioina dei re d’Ungheria. Uno specchio eroico e fiabesco della sovranità (Partis, Classiques Garnier, 2021). Convivium. Exchanges and Interactions in the Arts of Medieval Europe, Byzantium, and the Mediterranean, pp. 189 - 192 (2021)

Teutenberg, T.: Rezension: Barbara Wittmann, Bedeutungsvolle Kritzeleien. Eine Kultur- und Wissensgeschichte der Kinderzeichnung 1500–1950, Zürich 2018. Kunstchronik 74, pp. 562 - 570 (2021)

Tranchina, A.: Recensione: Manuela Gianandrea, Pio Francesco Pistilli, L’apogeo di Ravello nel Mediterraneo. Cultura e patronato artistico di un’élite medievale (Roma, Campisano editore 2019). Arte medievale 11, pp. 299 - 301 (2021)

Tranchina, A.: Recensione: Roland Betancourt, Byzantine intersectionality. Sexuality, gender and race in the Middle Ages. Convivium 8, pp. 193 - 197 (2021)

Varela Braga, A.: Rezension: Une antiquité moderne, hg. v. Jean-Luc Martinez, Elisabeth Le Breton, Officina Libraria 2019). Burlington Magazine 162, pp. 1097 - 1098 (2021)

Fransen, S.: Review: Dániel Margócsy, Mark Somos, and Stephen N. Joffe, "The Fabrica of Andreas Vesalius: A World-wide Descriptive Census, Ownership, and Annotations of the 1543 and 1555 Editions, Leiden et al. 2018". Isis 111, pp. 159 - 160 (2020)