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Musial, A.: Artful Foam: the Making of Erotic Art in Lucas Cranach the Elder’s Venus with Cupid. Princeton University Art Museum Record (2017) 77-78, pp. 100 - 119 (2022)

Reinhart, K.: A Cyclopes, a Stone, and a Four-Breasted Woman: Drawing Anatomical Knowledge. KNOW: A Journal on the Formation of Knowledge 6 (3), pp. 47 - 79 (2022)

Reinhart, K.; Carlyle, M.: Formation of Knowledge vol. 6, no. 3 (2022), S. 47-79. “Anatomical Things: An Introduction. KNOW: A Journal on the Formation of Knowledge 6 (3), pp. 1 - 5 (2022)

Rodighiero, D.: Extending Museum beyond Physical Space: A Data-Driven Study of Aldo Rossi’s Analogous City as a Mobile Museum Object. International Journal for Digital Art History 6, pp. 34 - 47 (2022)

Rodighiero, D.: Conspirations des réseaux plats : dessiner des visualisations sur une surface sphérique continue. Études digitales, Cartographie et visualisation 10, pp. 197 - 211 (2022)

Rodighiero, D.; Derry, L.; Duhaime, D.; Kruguer, J.; Mueller, M. M.; Pietsch, C.; Schnapp, J. T.; Steward, J.: Surprise Machines: Revealing Harvard Art Museums’ Image Collection. Information Design Journal, November https://doi.org/10.1075/idj.22013.rod (2022)

Rodighiero, D.; Kahn, P.; Dubberly, H.: COVIC: Collecting Visualizations of COVID-19 to Outline a Space of Possibilities. Design Issues https://doi.org/10.1162/desi_a_00697 38 (4), pp. 44 - 62 (2022)

Rodighiero, D.; Wandl-Vogt, E.; Carsenat, E.: A Visual Translation of the Pandemic. Leonardo https://doi.org/10.1162/leon_a_02203 55 (3) (2022)

Rodighiero, D.; Wandl-Vogt, E.; Carsenat, E.; Döring, J.; Elias, O.; Fragner, M.; Farkashazy, S.: Immersive Architectures for Data Literacy. Information Design Journal, Information design in response to the Covid-19 pandemic (2022)

Rosenbergová, S.; Foletti, I.; Pichaničová, V.: Je (středověk) doba temna? [Is (the Middle Ages) a dark age?]. Je (středověk) doba temna? [Is (the Middle Ages) a dark age?] (2022)

Sander, C.: Der Magnetstein in geologischen Theorien der Vormoderne. Der Anschnitt 74 (2-3), pp. 98 - 108 (2022)

Sander, C.: How to Send a Secret Message from Rome to Paris in the Early Modern Period: Telegraphy between Mag-netism, Sympathy, and Charlatanry. Early Science and Medicine https://doi.org/10.1163/15733823-20220056 27 (5), pp. 426 - 459 (2022)

Sander, C.: Rendering Magnetism Visible. Diagrams and Experiments between 1300 and 1700. Centaurus 64, pp. 315 - 359 (2022)

Scirocco, E.: Sculture inedite dalla Cattedrale medievale di Caserta: la ‘collezione’ di Casa Cefarelli. Confronto. Studi e ricerche di storia dell’arte europea 5, pp. 219 - 226 (2022)

Sickel, L.: Caravaggios Falschspieler: Ein „Bilder-Rätsel“ für den Kunsthistoriker Harald Brockmann (1879–1945). Wallraf-Richartz-Jahrbuch 83, pp. 225 - 248 (2022)

Sickel, L.: Vorheilige Verehrung. Inoffizielle Personenkulte in römischen Kirchen dokumentiert von Jaime Juan Balaguer im Dezember 1618. Marburger Jahrbuch für Kunstwissenschaft 48, pp. 175 - 208 (2022)

Sickel, L.: La nobiltà effimera di un cardinale: il conte Guido Pepoli, la sua residenza romana nel Palazzo Orsini di piazza Nicosia e la sua raccolta di arazzi. Römisches Jahrbuch der Bibliotheca Hertziana, 2021/2022 45, pp. 203 - 228 (2022)

Spataro, E.: In Honour of the Polish Prince: The Festivities of the Duke of Alba in Naples and Ladislas-Sigismund's stay at the Medici Court (1625). Kronika Zamkowa. Roczniki 74, pp. 97 - 118 (2022)

Ugolotti, C.: Neapel im Film (1932–1963). Urbanistik, Raum, Zeit. Max-Planck-Jahrbuch 2021 https://www.mpg.de/18832087/biblhertz_jb_2021 (2022)

Vico Martori, A.: En el taller de Verrocchio. Muy Arte. Leonardo. El gran genio universal 13, pp. 19 - 27 (2022)