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Contribution to a Collected edition (1046)
1621.
Contribution to a Collected edition
Controversial Continuities. Giacinto Gimma and the Art of Marble Intarsia. In: Radical Marble. Aldershot (2018)
1622.
Contribution to a Collected edition
The Crucifix in the Santuario Santissimo Crocifisso alla Collegiata in Monreale: The Unveiling of a Cult Image in Post-Tridentine Sicily. In: Re-thinking, Re-making, Re-living Christian Origins (Ed. Scirocco, E.). Rom (2018)
1623.
Contribution to a Collected edition
Spatial Cognition in Historical Geographical Texts and Maps: Towards a Cognitive-Semantic Analysis of Fla-vio Biondo's Italia Illustrata. In: Digital Approaches to Cartographic Heritage. 13th Conference of the International Cartographic Association, Commission on Cartographic Heritage into the Digital (Ed. Boutoura, C.). Thessaloniki (2018)
1624.
Contribution to a Collected edition
Nicolas Poussin. Der Sieg Josuas gegen die Amoriter. In: Rendezvous: die französischen Meisterzeichnungen des Kupferstichkabinetts. Dresden (2018)
1625.
Contribution to a Collected edition
La carità nell’arte del Trecento. Le miniature del 'Liber Regulae' e il loro contesto iconografico. In: Vivere la misericordia nel Trecento. Le miniature del Liber Regulae dell'ospedale romano di Santo Spirito in Sassia. Rom (2018)
1626.
Contribution to a Collected edition
I 'marginalia' del 'Liber Regulae'. In: Vivere la misericordia nel Trecento. Le miniature del Liber Regulae dell'ospedale romano di Santo Spirito in Sassia. Rom (2018)
1627.
Contribution to a Collected edition
Empathetic Wounds: Gregorio Fernández’s 'Cristo Yacentes' as a Nexus of Art, Anatomy, and Counter-Reformation Theology. In: Affective Pain and Sensuous Suffering in the Early Modern Visual Art of Europe and the Americas. Leiden (2018)
1628.
Contribution to a Collected edition
Introduction. In: Entre terre et ciel. La coupole de l’Antiquité Tardive au haut moyen âge: structure, fonction, décoration. Lausanne (2018)
1629.
Contribution to a Collected edition
The Ritual Display of Gospels in Late Antiquity. In: Clothing Sacred Scripture. Book Art and Book Religions in the Middle Ages. Berlin (2018)
1630.
Contribution to a Collected edition
Soleils nocturnes. Visions progressives dans les édifices à coupole de l’Antiquité tardive. In: Entre terre et ciel. La coupole de l’Antiquité Tardive au haut moyen âge: structure, fonction, décoration (Ed. Ivanovici, V.). Lausanne (2018)
1631.
Contribution to a Collected edition
Divine Light Through Earthly Colours: Mediating Perception in Late Antique Churches. In: Colour and Light in Ancient and Medieval Art. Abingdon (2018)
1632.
Contribution to a Collected edition
Anarcheology Museum. In: Il Mondo in Fine - vivere tra le rovine (Ausstellungskatalog) (Ed. Keller, C.). Rom (2018)
1633.
Contribution to a Collected edition
Texto breve para o CAPACETE. In: Capacete 20 anos. Comendo, bebendo, pensando. Rio de Janeiro (2018)
1634.
Contribution to a Collected edition
La regina Maria Casimira Sobieska e il Palazzo Zuccari. In: I Sobieski a Roma. La famiglia reale polacca nella Città Eterna. Warschau (2018)
1635.
Contribution to a Collected edition
'Für die bildenden Künste … die Hauptstadt der Welt, mit welcher keine andere kann verglichen werden.' Rom 1780-1787. In: Franz Caucig. Italienische Ansichten (Ed. Röll, J.). Petersberg (2018)
1636.
Contribution to a Collected edition
Romanesque Cathedrals in Northern Italy – Building processes between bishop and commune. In: Romanesque Patrons an Processes. Design and Instrumentality in the Art and Architecture of Romanesque Europe. London (2018)
1637.
Contribution to a Collected edition
Lourdement chargés mais libres! Supports anthropomorphes durant le Moyen Âge central et tardif. In: Construire avec le corps humain. Bauen mit dem menschlichen Körper, Vol. 2. Paris (2018)
1638.
Contribution to a Collected edition
Die gotische Kathedrale und die Kunst des konstruktiven Kompromisses. In: Gotik. Der Paderborner Dom und die Baukultur des 13. Jahrhunderts in Europa (Ausstellungskatalog). Petersberg (2018)
1639.
Contribution to a Collected edition
Auf schwankendem Boden: Konzepte von imitatio artis und geistigem Eigentum in der Architektur des spä-ten Mittelalters. In: Stil als geistiges Eigentum (Ed. Michalsky, T.). München (2018)
1640.
Contribution to a Collected edition
'Quando con questo dubbio osservai di nuovo la nostra opera, mi si accese una luce': le soluzioni iconografi-che di Winckelmann. In: Temi e ricerche sulla cultura artistica II. Rom (2018)