- Post-war art practices in Brazil and Italy
- The role of the body and the participation of the audience in contemporary art practices
- The relation between art and politics in the 60s and 70s
- The rapport between art and the nuclear threat - the so-called nuclear aesthetics
- Feminism and Art in Latin America
TransnationalEncounters: Diasporic Narratives across Italy and Latin America (1960s–1980s)
- “Touch and Absence: Giuseppe Penone’s Drawings”, in River of Forms: Giuseppe Penone’s Drawings, ed. Carlos Basualdo, New Heaven et al. 2022, pp. 42–62.
- “’Heroic Abdications of Authorial Intentions?’ Piero Manzoni’s Ephemeral Bodies,” in Sublimation. Redefining Materiality in Art after Modernism, ed. Christian Berger and Annika Schlitte (Special Issue: Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft 19 ), pp. 115–132.
- “Corporeal Identities, Maternal Artivism: a New Decolonial Approach to the Study of Latin American Women Artists”, Arts, 8, 137 (2019), doi:10.3390/arts8040137 .
- “Organicize Disintegration (?): from Nuclear Aesthetics to Interplanetary Art”, Palinsesti 7 (2018): pp. 23–47.
- “Hélio Oiticica’s Parangolé capes: an anti-art will to cultural zero”, L’Uomo Nero 13 (2016), pp. 131–142.