Optical knowledge in the history of painting

Research report (imported) 2011 - Bibliotheca Hertziana – Max Planck Institut for Art History

Authors
Thielemann, Andreas
Departments
Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte, Rom
Summary
What are the connections between the history of optics and the history of painting? A research project at the Bibliotheca Hertziana in Rome (Max Planck Institute for Art History) explores this question, with an orientation based on the classification system of classical optics, which as a theory of vision and of light in late Antiquity was divided into three principal areas: direct vision based on the rectilinear diffusion of light, reflection on reflective surfaces, and the refraction of light rays on the interface between media of different densities.

For the full text, see the German version.

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