Department Weddigen
Valentina Bartalesi, Ph.D.
Prehistory on Display: Deep Time and the Ideological Making of Fascist Identity through Arts and Visual Culture
Dr. Marina Barzon Silva
The Italian Representation by the Venice Biennale at the São Paulo Biennale, from 1951 to 1973
Giulia Beatrice, Ph.D.
A Land of Their Own. Italian Women Artists in the Colony of Libya
Gianlorenzo Chiaraluce, Ph.D.
Painting and Spreading Dissent: American Social Realism and Its Reception in Italy (1954–1973)
Jamie Danis, M.A.
Ex Libris Twombly
Isabella Foglia, M.A.
Baroque Irony: Humor as a Painterly Strategy in the Counter-Reformation
Sharifa Lookman, M.A.
Scale, Fix, Finish: Antonio Susini and the Art of Technique in Giambologna’s Florence
Virginia Magnaghi, Ph.D.
Nostalgia, appeal, and pride. The Legacy of Lybian Landscape in Visual and Written Narratives of the Italian “Fourth Shore” in the 1930s
Caterina Martinelli, M.A.
The Sense of Sculpture. Practiced Sculpture in the 1970s Dematerializations Context
Anita Orzes, Ph.D.
Latin America in the Biennials of the 1970s: Art, Geopolitics and Identity
Dr. Elisabetta Rattalino
On Ploughed Land, Work Tools and Community Rituals. Artistic Practices and Rural Italy 1968–1986
Dr. Diogo Rodrigues de Barros
The Crisis of Modern Art as a Crisis of Democratic Culture: Critical Dialogues Between Italy and Brazil (1959-1979)
Dr. Tobias Teutenberg
Heinrich Wölfflins "Kunstgeschichtliche Grundbegriffe" (1915)
Dr. Tobias Teutenberg
Affirmations of the Non-Visual. The Art History of Blindness in the 19th and 20th Centuries