Abteilung Weddigen

Valentina Bartalesi, Ph.D.
Prehistory on Display: Deep Time and the Ideological Making of Fascist Identity through Arts and Visual Culture

Giulia Beatrice, Ph.D.
A Land of Their Own. Italian Women Artists in the Colony of Libya

Gianlorenzo Chiaraluce, Ph.D.
Painting and Spreading Dissent: American Social Realism and Its Reception in Italy (1954–1973)

Luigi Crea, M.A.
The Art of Resistance: A Research of Queer Art in the Brazilian and Peruvian Contexts from 1990 to Present

Maria Stella Di Trapani, Ph.D.
Die von Clemente Busiri Vici entworfenen “Case d’Italia”: Modelle und Ausdrucksformen des “Italienertums” im Ausland während des Faschismus

Anna Aline Mehlman Dumont, B.A.
Portatrici, Lavandaie, Cucitrici: Picturesque Modernism and the Image of the Italian Woman at Work

Federico Marcomini, Ph.D.
Palladianism in West Africa: The Ambiguities of an Architectural Migration

Caterina Martinelli, M.A.
The Sense of Sculpture. Practiced Sculpture in the 1970s Dematerializations Context

Dr. Ariella Minden
In Dialogue: Medial Thinking in Bolognese Printmaking, 1500-1530

Eelco Nagelsmit, Ph.D.
Ausstellung von Evidentia in franziskanischen Polemiken zwischen Italien und Flandern: Carolus von Arenberg und Gillis Backereels „Icones Antiquae“ (ca. 1660er Jahre)

Dr. Elisabetta Rattalino
On Ploughed Land, Work Tools and Community Rituals. Artistic Practices and Rural Italy 1968–1986

Yasmin Riyahi, Ph.D.
Visioning Palestine in Italy (1970-2009)

Dr. Diogo Rodrigues de Barros
The Crisis of Modern Art as a Crisis of Democratic Culture: Critical Dialogues Between Italy and Brazil (1959-1979)

Dr. Tobias Teutenberg
Heinrich Wölfflins "Kunstgeschichtliche Grundbegriffe" (1915)

Dr. Tobias Teutenberg
Affirmationen des Avisuellen. Die Kunstgeschichte der Blindheit im 19. und 20. Jahrhundert