Abteilung Weddigen

Valentina Bartalesi, Ph.D.
Prehistory on Display: Deep Time and the Ideological Making of Fascist Identity through Arts and Visual Culture

Dr. Marina Barzon Silva
The Italian Representation by the Venice Biennale at the São Paulo Biennale, from 1951 to 1973

Giulia Beatrice, Ph.D.
A Land of Their Own. Italian Women Artists in the Colony of Libya

Amy Chang, M.A.
Architecture at the Edges of Empire: Castilian Architectural Theory, Stylistic Censorship, and Narrative Constructions of the “Spanish-Islamic” in Andalusia & the Iberian Indo-Pacific, 16th—18th cen.

Gianlorenzo Chiaraluce, Ph.D.
Painting and Spreading Dissent: American Social Realism and Its Reception in Italy (1954–1973)

Jamie Danis, M.A.
Ex Libris Twombly

Isabella Foglia, M.A.
Baroque Irony: Humor as a Painterly Strategy in the Counter-Reformation

Sharifa Lookman, M.A.
Scale, Fix, Finish: Antonio Susini und die Kunst der Technik im Florenz Giambolognas

Virginia Magnaghi, Ph.D.
Nostalgia, appeal, and pride. The Legacy of Lybian Landscape in Visual and Written Narratives of the Italian “Fourth Shore” in the 1930s

Caterina Martinelli, M.A.
The Sense of Sculpture. Practiced Sculpture in the 1970s Dematerializations Context

Anita Orzes, Ph.D.
Lateinamerika in den Biennalen der 1970er Jahre: Kunst, Geopolitik und Identität

Dr. Elisabetta Rattalino
On Ploughed Land, Work Tools and Community Rituals. Artistic Practices and Rural Italy 1968–1986

Dr. Diogo Rodrigues de Barros
The Crisis of Modern Art as a Crisis of Democratic Culture: Critical Dialogues Between Italy and Brazil (1959-1979)

Dr. Tobias Teutenberg
Heinrich Wölfflins "Kunstgeschichtliche Grundbegriffe" (1915)

Dr. Tobias Teutenberg
Affirmationen des Avisuellen. Die Kunstgeschichte der Blindheit im 19. und 20. Jahrhundert