Abteilung Weddigen

Elena Amerio, M.A.
Zirkulation religiöser Kunst und Künstler der Jesuiten zwischen Italien und dem Vizekönigreich Perú (16.-17. Jahrhundert). Bernardo Bitti und seine Anhänger

Luigi Crea, M.A.
The Art of Resistance: A Research of Queer Art in the Brazilian and Peruvian Contexts from 1990 to Present

Michele D’Aurizio, M.A.
Alighiero Boetti’s tecnica povera

Dr. Lara Demori
Transnational Encounters: Diasporic Narratives across Italy and Latin America (1960s–1980s)

Anna Aline Mehlman Dumont, B.A.
Portatrici, Lavandaie, Cucitrici: Picturesque Modernism and the Image of the Italian Woman at Work

Alina Kondratiuk, Ph.D.
Mural Painting of the Church of the Savior at Berestove: Semantics. Stylistics

Lesia Kulchynska, Ph.D.
Violence of the Image

Caterina Martinelli, M.A.
The Sense of Sculpture. Practiced Sculpture in the 1970s Dematerializations Context

Ariella Minden, M.A.
In Dialogue: Medial Thinking in Bolognese Printmaking, 1500-1530

Linda Müller, M.A.
Drawn to Law: Legal Drawings in Early Modern Italy in an Age of Empire

Duccio Nobili, Ph.D.
Red in the Eyes. Artists, Mass Culture and Russian Avant-garde in Italy, 1968–1977

Oleksandra Osadcha, Ph.D.
Praktiken der Archivierung und das Medium Fotografie

Dr. Dimitri Ozerkov
Vincenzo Brenna: der reisende Architekt

Dr. Elisabetta Rattalino
Curating Bolzano Fascist Legacies: The Myth of Druso

Braden Scott, Ph.D.
Burgundy in Bethlehem: Architectural Diplomacy in Fifteenth-Century Mamluk Syria

Ianick Takaes de Oliveira, M.A.  
Durissimum iudicium gentibus profert: On the Production and Circulation of Philippe Thomassin’s Last Judgment (1606)

Dr. Tobias Teutenberg
Heinrich Wölfflins "Kunstgeschichtliche Grundbegriffe" (1915)

Dr. Tobias Teutenberg
Affirmationen des Avisuellen. Die Kunstgeschichte der Blindheit im 19. und 20. Jahrhundert