Dipartimento Weddigen

Giulia Beatrice, M.A.
"Africa sintetica, dinamica, simultanea": Colonial Iconographies and Contexts in Italian Futurism

Paulina Caro Troncoso, M.A.
Earth Materials in the Work of Roberto Matta in Italy (1950s–1960s)

Dr. Lara Demori
Transnational Encounters: Diasporic Narratives across Italy and Latin America (1960s–1980s)

Dr. Teresea Ende
Heinrich Wölfflins "Italien und das deutsche Formgefühl" (1931)

Dr. Elena Filippi
Heinrich Wölfflins "Die Kunst Albrecht Dürers" (1905)

Roberta Garieri, M.A.
Costellazioni Transatlantiche. Arti visive e reti di solidarietà tra Cile e Italia

Philipp Hubert, M.A.
Architettura seicentesca per l'Italia fascista. I progetti di Armando Brasini in Italia, le colonie e oltre

Alina Kondratiuk, Ph.D.
Mural Painting of the Church of the Savior at Berestove: Semantics. Stylistics

Lesia Kulchynska, Ph.D.
Violence of the Image

Juan Carlos Mantilla, M.Phil
The Early Modern Invention of the Ancient Andes

Caterina Martinelli
Archivio Staccioli: 1971–1981

Yevheniia Moliar, M.A.
Cultural Heritage of the Soviet Period in Contemporary Ukrainian Art

Duccio Nobili, Ph.D.
The First Words from October. The Rediscovery of Russian and East-European Avant-gardes in the Years of the Protest

Oleksandra Osadcha, Ph.D.
Praktiken der Archivierung und das Medium Fotografie

Dr. Dimitri Ozerkov
Vincenzo Brenna: l’architetto viaggiatore

Wenyi Qian, M.A.
Crafting Knowledge, Telling Stones: The Art of Pietre Dure Tables in Early Modern Italy, 1550s-1660s

Dr. Seraina Renz
Grenzüberschreitungen. Künstlerischer Austausch im Kalten Krieg

Dr. Tobias Teutenberg
Heinrich Wölfflins "Kunstgeschichtliche Grundbegriffe" (1915)

Sara Vitacca, Ph.D.
Virilität in der Stadt: Der männliche Körper und der städtische Raum in Rom von der italienischen Einigung bis zum Faschismus

Érika Wicky, Ph.D.
Le vernici italiane nel patrimonio sensoriale dell'Ottocento