Events

18479 1556113824

Looking Inside. The Home in Italian Art and Visual Culture from the 1940s to the 1970s.

Research Seminar
Thinkers such as Gaston Bachelard, Henri Lefebvre, and Joanne Hollows, among others, reflect on the personal and social meanings of the home. Demonstrating the relevance of domestic cultures to both lived experience and academic discourse, they argue that the home— and the interactions with and within it— contributes to shape our identity. [mehr]
18581 1556799724

Europabilder außerhalb Europas

Workshop
  • Beginn: 17.06.2019 11:00
  • Ende: 18.06.2019 18:00
Anknüpfend an die Thesen zweier von der kunsthistorischen Forschung bislang weitgehend ignorierter Texte – Europerien auf China-Porzellan von Bruno Kisch und The Savage Hits Back von Julius Lips, beide 1937 erschienen – fokussiert der Workshop auf Außenperspektiven, die ein als veränderlich, vor allem aber als relational verstandenes Europa notwendig erzeugt. [mehr]
18806 1558369709

Figures of Protest: Figuration and Politics in and around Michelangelo Pistoletto's Comizi (1965–66)

Research Seminar
April 1966: For his first solo museum exhibition and American solo debut, Italian artist Michelangelo Pistoletto exhibited his collaged, highly polished, steel quadri specchianti (mirror paintings) at the Walker Art Center. [mehr]
18478 1556113414

Reimagining the Family Album: Carla Lonzi's Autoritratto (1969)

Research Seminar
When Carla Lonzi published Autoritratto (Self-Portrait) in 1969, it marked the self-imposed end of a career that had spanned a little over ten years. As is well known, the book collects much of Lonzi's art-critical output of this period, collating dozens of recorded interviews with a roll call of artists. [mehr]
18290 1555325318

Renaissance Architectural Prints and the Cultural Techniques of Copying

Research Seminar
The advent of printing has long been derided as enabling individuals with little capacity for invention to design buildings by means of copying. For some theorists, this seemingly unimaginative replication of mechanically reproduced images heralded the rise of a banal formalism. [mehr]
18477 1556113253

Alberi messicani. Le immagini botaniche della Nuova Spagna e la loro circolazione in Europa, 1552-1585

Research Seminar
Lo scopo principale dell'intervento sarà presentare una serie di produzioni iconografiche relative alla rappresentazione del mondo naturale, eseguite da diversi gruppi di tlaquiloque (scribi/artisti indigeni) attivi nella Nuova Spagna fra gli anni Cinquanta e Ottanta del Cinquecento. [mehr]
17987 1555425311

Henriette-Hertz-Lecture: Towards a Media History of the Women's Liberation Movement

Lecture
This lecture is based on the ongoing research and exhibition project on the legacy of French actress, video maker and activist Delphine Seyrig. Mostly known as one of the leading actresses of 1960s–1970s French cinema, during the 1970s Seyrig became a media and a feminist activist working collaboratively within the framework of the women's liberation movement. [mehr]
18285 1555325361

Arctic Ink

Research Seminar
When a mysterious cache of sixteenth-century Netherlandish engravings was discovered in the Arctic circle in the nineteenth century, many questions arose. [mehr]
18286 1556099866

From Words to Space – Textual Sources for Reconstructing and Understanding Medieval Sacred Spaces

Workshop
The workshop aims to analyze and discuss various categories of texts related or linkable to sacred, ritual and liturgical spaces in the Middle Ages, with a geographical focus on Southern Italy. [mehr]
17988 1555325392

Inventing the Picture History of Photography

Conference
Histories of Photography have been written almost as long as photographic pictures exist: Daguerre's manual from 1839 and the first chapter of Talbot's The Pencil of Nature, penned in 1844, are the earliest examples of such an interest in media history. These narratives are shaped according to ongoing improvements of apparatuses and techniques that have been developed by (male) inventors. [mehr]
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The Past as a Source for New Identities.

Research Seminar
History of Architecture is often used as an approbation of the roots of a country or nation. Greece and Rome were the cradle for all Europe and Historicist approaches in the architectural production were typical in the 19th and also 20th century. [mehr]
17590 1555325425

Articulating the In-Between. Changing Exhibition Practices in Early Postwar Rome

Research Seminar
How, in the context of postwar Rome, can we better understand changing exhibition practices through paying closer attention to architecture – what Daniel Buren refers to as "the inevitable background, support and frame of any work?" Or, put another way, how did postwar Rome's built environment serve as a base connective tissue for evolving exhibitionary engagement? [mehr]
17591 1555325442

Gentile Bellini and the "Great Turk"

Research Seminar
Documents inform about the wish of Mehmet II, the Conqueror of Constantinople, to be portrayed by a Western painter. Some Italian artists (including Costanzo di Moysis da Ferrara) came to Istanbul in the 1460s and 1470s, but everything would seem to indicate that the sultan did not obtain what he wanted. [mehr]
18287 1555325461

From Piranesi to Contemporary Art. Visit to the workshop and to the archive of the Istituto Centrale per la Grafica

Field Seminar
Visit to the workshop and to the archive of the Istituto Centrale per la Grafica. Located in the very building of the Fontana di Trevi, the Istituto Centrale per la Grafica is a museum dedicated to the collection of graphic art from the early modern period until today. [mehr]
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Art in Outer Space (1969)

Lecture
In 1969, man set foot on the Moon – time to reflect on the role of art in the most mediatized event of modern times. The lecture, which opens the Spring Term of the Bibliotheca Hertziana’s academic program, addresses the question of the meaning of art in outer space and discusses works from Andy Warhol to Damien Hirst that have actually left the Earth. [mehr]
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Toccare il Dio Incarnato. Amuleti e preghiera 'tattile' durante l'Iconoclasmo bizantino tra Bisanzio e Roma

Lecture
Un discreto numero di amuleti e reliquari prodotti tra VIII-IX s. considerati affini su basi stilistiche e tecniche, ma contesi tra Costantinopoli e Roma, offre l'occasione di riflettere su diverse questioni. [mehr]
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Representing New Worlds

Research Seminar
These research seminars will explore different 'versions' of the New World as constructed by seventeenth-century Europeans. The morning seminar (in Italian) by Fernando Ciaramitaro will begin at 11:00 am, and after a short break, Mariana Françozo will present (in English) starting at 2:00 pm. [mehr]
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Exhibiting (and) History

Workshop
Conceived within the framework of the research initiative "Rome Contemporary", this workshop will be aimed at developing novel perspectives on the relationship between exhibition practice and history from 1960 to the present. [mehr]
18353 1558356567

Omaggio a Christof Thoenes

Christof Thoenes ci ha lasciato il 21 ottobre 2018 poche settimane prima del suo 90 compleanno. La Bibliotheca Hertziana organizza il 5 dicembre una conferenza di commemorazione in suo onore. Christof Thoenes, nato il 4 dicembre 1928 a Dresda, ha iniziato nel 1949 i studi di storia dell’arte, germanistica e filosofia alla Freie Universität di Berlino. [mehr]
18354 1557127051

The Worker, the Monster and the Ancient Gods. "Operaismo", "Autonomia" and the Depiction of Revolutionaries

A shared concern of Italian operaismo-minded artists of the 1960s and 1970s was to devise images that mirrored both the material culture of the period’s labor struggles and "the workers’ point of view". [mehr]
18355 1558356762

Practical Knowledge of Art History. Romantic Painters as Scholars in the 19th Century.

"Artistic Research" is a key term in contemporary art discourse and is intended to unite the fields of humanities and natural sciences. Artistic research, however, already existed in the 19th century, particularly in the field of history. This lecture explores the contribution of artists to the formation of the scientific discipline of art history in the 19th century. [mehr]
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Das Ende der Architekturzeichnung? Darstellungsmodi und Baupraxis zwischen 20. und 21. Jahrhundert

Gernsheim-Studientage
In the last decades, the far-reaching diffusion of electronic data processing instruments seems to have supplanted traditional methods of manual drawing and three-dimensional architectural model making. The capturing, planning and visualization of objects and buildings appears to be positively dominated by digital technologies and semi-automatic production methods, ranging from parametric and algorithmic modelling systems and digital recording tools to interactive animations and automatic 2D and 3D printing. [mehr]
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Mechanik der Natürlichkeit

Research Seminar
"Das Natürliche", schreibt Johann Georg Sulzer 1774, "ist eine der vorzüglichsten Eigenschaften der Werke der Kunst." Was könnte damit gemeint sein? Und welche Folgen hat es für die Kunst, wenn man ihr Natürlichkeit zuspricht? [mehr]
18358 1557126937

Crossing the Adriatic: Networks of Cultural Exchange Beyond the Yugoslav Region

Organized within the framework of the exhibition "Toward a Concrete Utopia: Architecture in Yugoslavia", 1948-1980 on view at the Museum of Modern Art in New York, this study day convened by co-curators Martino Stierli and Vladimir Kuli? [mehr]
18360 1557126918

Frameworks for Meaning and Experience in the Mendicant Convent

What do we mean - or, better, what should we think we mean - when we use the term 'period eye'? Baxandall famously defined it as cognitive style, encompassing the visual skills and 'habits of inference and analogy' brought to the viewing experience by people of a particular time and place. [mehr]
18361 1557126899

News from the Piranesi Studio: Drawings of Giovanni Battista Piranesi and his workshop at the Kunsthalle Karlsruhe

In summer 2014, nearly 300 drawings held by the Kunsthalle Karlsruhe were newly attributed to Giovanni Battista Piranesi and his workshop. For decades, the drawings mounted in two albums had been attributed to the Karlsruhe architect Friedrich Weinbrenner (1766 - 1826). It had been assumed that Weinbrenner had executed them during his stay in Rome from 1792 to 1797. [mehr]
18362 1558356842

Les nomenclatures stylistiques à l'épreuve de l’objet. Construction et déconstruction du langage de l'histoire de l’art

Whilst art history is increasingly assuming a global approach by restructuring in full its method of theorising and teaching the discipline, this research workshop proposes to reflect on the concepts of style and periods which have forged fields of study and made them relevant to modern day life. [mehr]
18363 1557126859

Legare, misurare, attraversare - Un'ipotesi di risignificazione dello spazio espositivo nella Roma degli anni Settanta

La Roma degli anni Settanta è costellata da episodi espositivi nati all'interno di spazi privati e in luoghi pubblici non designati all'arte e destinati ad ospitarla per scelte spesso non permanenti o semplicemente incidentali. Guardare a questi spazi come fossero opere aiuta a decifrare una storia alternativa, e successiva, alla mitografia che accompagna il decennio Sessanta. [mehr]
18364 1557126837

Margins of early Renaissance painting

As if revisiting the religion’s primordial decision in favor of an exoteric, rather than esoteric, identity, the Italian painters of the fourteenth century populated Christian subjects and scenes with semi-outsiders: watchers and doubters, anachronistic visitants, sponsors clerical and lay. Pressure on narrative from the outside tested the integrity of the artwork. [mehr]
18365 1557126817

Folds, Flesh, and Fruit - The Touch of Grace in Paintings of Chardin and Boucher

How can art find ways to represent the undefinable "je ne sais quoi" of the bodily and moral ideal of Grace? The paper deals with two French artists as different as Jean Siméon Chardin and François Boucher who satisfied very different tastes of art in the 18th century. [mehr]
18366 1558358865

Non fare il tedesco! La Germania secondo gli italiani

Un evento dell'Ambasciata della Repubblica Federale di Gemania a Roma, con la collaborazione della Bibliotheca Hertziana - Istituto Max Planck per la storia dell'arte. Mercoledì, 26 settembre 2018, ore 18.30 presso il Villino Stroganoff della Bibliotheca Hertziana. Posti limitati, RSVP entro il 24.09.2018 solo via mail a pr-s1-dip@rom.diplo.de [mehr]

Festakt für Christoph Luitpold Frommel anlässlich seines 85. Geburtstages Martedì 25 settembre 2018 alle ore 17,00 presso Palazzo Carpegna, sede dell'Accademia Nazionale di San Luca, si terrà la cerimonia celebrativa degli 85 anni di Christoph L

Roma moderna instaurata: Christoph Luitpold Frommel e la storia dell'architettura rinascimentale A seguire brevi allocuzioni di Bernard Aikema, Enzo Bentivoglio, Claudio Castelletti, Arnold Esch, Antonio Forcellino, Elisabeth Kieven, Golo Maurer, Pier Nicola Pagliara, Elisabetta Pastore, Georg Schelbert, Wolf Tegethoff e Vitale Zanchettin. [mehr]
18368 1557126750

Sainthood and Citizenship in Seventeenth-Century Peru: The Feast of Beatification of Rose of Lima

Roughly two years after Rose of Lima was beatified (1669), the Peruvian Dominican Order, asked Juan Meléndez, the Chronicler of the Order, to write a description of the festivities with which the City of the Kings celebrated the promotion to sainthood of her most ilustrious child. Meléndez saved no rhetorical effort to stress the importance of the celebrations that took place in 1668 and 1669. [mehr]
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Hertziana Science Parcours 2018. Forschen ist Neugier - #wonachsuchstdu

Anlässlich des 70. Gründungsjubiläums der Max-Planck-Gesellschaft und des 160. Geburtstags von Max Planck öffneten Max-Planck-Institute ihre Türen - auch in Rom. Der bundesweite Max-Planck-Tag richtete sich an alle Forschungsinteressierten und überhaupt jeden neugierigen Menschen: #wonachsuchstdu forderte die Besucher*innen auf, eigene Fragen rund um die Forschungsthemen der Max-Planck-Gesellschaft zu stellen. [mehr]
18370 1557126715

On Edible Images: Artefacts and the Constitution of Community

There was a time - but is it just over? - when some images were not just looked at, but eaten. Produced to be swallowed, they were consumed by the mouth rather than the eyes. This presentation will focus on this particular way of experiencing images, by examining the consumption of the edible artefacts (body paintings, eucharist, waffles, edible sculptures, figurative cakes) over the longue durée, and by highlighting the anthropological and cultural stakes that inform this specific practice. [mehr]
18371 1558357111

Cities in Crisis: Emergency Measures in Architecture and Urbanism, 1400-1700

This interdisciplinary Study Day will focus on how early modern cities responded to or attempted to anticipate social or health crises by repurposing structures, constructing temporary shelters or buildings, or adapting urban spaces in the context of emergencies. These include, but are not limited to, disease outbreaks, displacement, migrations, wars, natural disasters, famines, etc. Over the centuries, these interventions have taken various forms, such as lazzaretti, temporary military barracks, makeshift refuges, and quarantine or segregation zones, among many others. [mehr]
18372 1557126662

Continuare la città. Principi e tendenze nella ricerca architettonica ed urbanistica di una città moderna all'italiana, 1919-1945

Social change after WWI led to an accelerated change in the built environment. Within a broad stylistic scope of architectural and urban design projects, the structural 'DNA' of Italian historic cities was seen as a basic planning guideline. Historic paradigms determined not only trends in conservation but guided new approaches to architecture as well as urban and landscape design. [mehr]
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La storia negata. Napoli nella storiografia artistica

"À Naples l’on n’aime que les bagatelles et les dorures." Il parere negativo di Gianlorenzo Bernini sulla propria città natale è caratteristico per la ricezione critica di Napoli. Già Jacob Burckhardt parlava con scetticismo dell'amore per il fasto (Prunkliebe) dei partenopei. [mehr]
18374 1557126619

Berühmte 'Mütter', ungleiche 'Schwestern' - sprechende Verwandtschaften zwischen Bildern weiblicher Exempla in der Frühen Neuzeit

In einer frühneuzeitlichen Kultur der variierten Formeln und Zitate sticht dennoch die frappierende Ähnlichkeit zwischen bestimmten exemplarischen Frauenfiguren heraus. Lucretia und Kleopatra sind dafür ein paradigmatischer Fall. Vom frühen 16. Jahrhundert bis zum Hochbarock finden sich gerade zwischen diesen immer wieder frappierende Zwillingsbildungen, die nicht recht zu ihrer disparaten Bewertung passen wollen. [mehr]
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Viewing on the Move - The Roving Eye of Early Modern Travelers

As complex systems with multiple institutional, civic, and religious topographies, early modern cities presented the foreigner with a beguiling series of mysteries. What tools, therefore, were available for gaining some kind of understanding of a foreign society that would allow travelers to connect their experience to home? [mehr]
18376 1557126577

Un'abbazia tra due mondi - San Nicolò a San Gemini e le alienazioni monumentali nella prima metà del Novecento

In occasione dei 50 anni dal restauro dell’abbazia (1967-2017), il convegno intende proporre una riflessione sul fenomeno dell’alienazione legale di complessi monumentali e opere d’arte immobili nella prima metà del Novecento. [mehr]
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Diligenza - Liniengefüge in Zeichnungen Jacopo Bellinis

Bei der Frage nach dem Zusammenhang von Bild und Wissen wurde dem Medium der Zeichnung und besonders der Linie im vergangenen Jahrzehnt vermehrt Aufmerksamkeit zuteil. Im Vordergrund standen dabei meist Skizzen, denen aufgrund ihrer Expressivität und Dynamik in der Linienführung ein exploratives und epistemisches Potential zugesprochen wird. [mehr]
18378 1557126272

Maniera and Mannerisms: a Historiographic Paradigm of Cinquecento Art

The term "Mannerism" carries a fraught and contentious historiography that plays a significant role in shaping both the definition and scope of current scholarship. Formative studies by Jacob Burckhardt, Heinrich Wölfflin, Werner Weisbach, and Kurt Heinrich Busse imbued the term "Mannerism" with a pejorative connotation that effectively marginalized mid- to late-sixteenth century art. [mehr]
18379 1558357212

The Tramezzo of Santa Chiara in Naples. New Technologies for an Old Question

The choir screens of medieval churches were systematically dismantled in the 16th century, a process that obliterated the internal divisions within churches as well as their altars, pulpits, painted and sculptural decoration, and sepulchral monuments. [mehr]
18380 1558357291

Urban Mobility and Segregation in Early Modern Venice

Shared Spaces? Mobility, Cohabitation and Cultural Exchange in Early Modern Venice This paper draws on my larger research project on spaces of arrival for migrants and travellers to early modern Venice. It argues particularly that the city's many lodging houses offer a valuable key to understanding the nature and impact of mobility in an early modern metropolis. [mehr]
18381 1558357387

Descrivere una città: Early Modern Guidebooks in Naples

In name, a guidebook assures the reader of clarification and direction, but the term only seems to neatly define what to expect from these volumes. Instead, the claim to make sense of the unknown is complicated by shifting narrative strategies, choices of language, and the inclusion of illustrations. Recent interest in issues of orientation and subjectivity has shed new light on guidebooks; in addition, a profusion of new printed and digital editions of these works have reinvigorated a discussion of guidebooks as a form of knowledge produced at the intersection of description and dispersal. [mehr]
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Memorie del fascismo nell'arte contemporanea a Roma: Fabio Mauri e Giosetta Fioroni intorno al 1970

La memoria del regime fascista non è mai scomparsa dall’orizzonte delle arti contemporanee. Temi e figure del Ventennio costellano l'opera di artiste e artisti con modalità, frequenza e intensità diverse. Il seminario focalizza l'attenzione sull'opera di Giosetta Fioroni (1932) e Fabio Mauri (1926-2009), entrambi - con un breve scarto di anni - cresciuti negli anni del fascismo e attivi nel dopoguerra. [mehr]
18383 1557126403

Figure, Ground, Point, Field

We owe the Italian Renaissance picture more than the ideal human figure. Experiments in figuration, whether they involve contour or sfumato, cannot exist without ground, here understood in three senses of the word: first, the preparation of a given support (such as a gesso ground on panel); second, the plane on which figures stand; and third, the field in and against which figuration occurs. [mehr]
18384 1557126351

Through the Slant of Night: The Other Side of the Earth in the Sixteenth Century

The discoveries of Columbus focused attention on the newly discovered but barely known regions on the far side of the earth, a new zone of convergence where East and West met and crossed over into one another. It was now possible to think beyond the "inhabited world" known since Antiquity and to consider the earth in global terms, which is to say as a geometric object viewable from more than one side. [mehr]
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Flavio Biondo's "Italia Illustrata": Representations of Spatial Language and Spatial Thinking in Text and Maps

The Italia illustrata (written in the 1450s and published 1474) is a historical and geographical description of Italy in a topographical order. Biondo's narrative is based on a number of empirical sources, some are known, some are unknown and open for speculations. [mehr]
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