Events

Il Convegno “Il Possibile: Istruzioni per l’uso. Studi sull’opera di Gianfranco Baruchello” intende ripercorrere l’opera del celebre artista Gianfranco Baruchello (Livorno, 1924 – Roma, 2023) nel contesto storico-artistico italiano e internazionale dal secondo dopoguerra fino ai lavori più recenti. [di più]

Die in Süditalien gelegenen, spätstaufisch-frühangevinischen Anlagen von Lagopesole, Palazzo San Gervasio und Gravina in Puglia werden im Rahmen eines aktuellen Forschungsprojekts erstmals architektur- und funktionsgeschichtlich näher untersucht. [di più]

This workshop is organized by the ProJestArt Research Group, Agents: Jesuit Procurators and Alternative Channels for Artistic Circulation in the Hispanic World (Universidad Autónoma de Madrid), in collaboration with Prof. Tristan Weddigen (Bibliotheca Hertziana-Max Planck Institute for Art History, Rome). [di più]

Pentimenti, ripassi, ritocchi caratterizzano tre versanti teoricamente e concettualmente diversificati dell’atto grafico autografo. [di più]

The two sessions focus on the surfaces of Renaissance objects (tin-glazed earthenware from Italian workshops and a panel painting by Correggio) to examine how their reworking reveals shifts in artistic practices, evolving tastes, and preservation methods. [di più]

“… con questo, che Taddeo potesse correggere e mettere mano nei disegni e cartoni di Federigo a suo piacimento …” In the Vita of Taddeo Zuccari, Giorgio Vasari describes the reworking of drawings — in contrast to that of paintings — as a common and spontaneous practice. The 2025 Gernsheim Study Days are dedicated to all aspects of reworking, retouching, and repairing early modern European drawings, engaging with both artistic and material issues. [di più]