Events

Henriette Hertz Lecture: "Doll & Stool: Materiality and Identity of Senegal’s Signares"

Lecture
Senegal’s Signares constituted a mix-raced society in 1800 and their art, connected with their political and economic power, was based on body’s ornamentation and architectural invention. The materiality of their history’s sources will be the main issue of this lecture. [more]

Disability, Art, Agency: Participation and the Revision of the Senses

Research Seminar
The talk claims that work by contemporary artists who deploy variable disability topoi (deafness, blindness, sight, mobility) make audiences more sensitive to ways in which bodies take in information and process stimuli. [more]

Film Seminar "Milano/Napoli: un dialogo cinematografico tra due metropoli italiane"

5° Incontro: Gatta Cenerentola (2017, Alessandro Rak, Ivan Cappiello, Marino Guarnieri e Dario Sansone).
Napoli e Milano sono spesso considerati poli antitetici della rappresentazione dell’identità nazionale italiana. Come il cinema ha contribuito a cristallizzare una precisa "identità" di queste due realtà urbane? Quali specificità nella costruzione filmica della spazialità urbana si possono rilevare? Il presente ciclo di incontri è stato progettato per costruire una piattaforma di discussione pubblica dei risultati provvisori del progetto di ricerca incentrato sul rapporto tra spazio urbano e rappresentazione filmica. [more]
This Research Seminar focuses on the visual communication strategies of corporate publications between the 1950s and the 1970s. In this period, house-organs were used to deliver a positive image of the industrial sector, with the aim to merge humanistic culture and technical knowledge. The speakers will discuss what these strategies tell us about broader political and economic logics. They will analyse peculiar dynamics of the Cold War era by comparing Italian and international cases. [more]
"Only anthropophagy unites us", Oswald de Andrade stated in the first verse of his seminal Manifesto Antropófago of 1928. While it is a foundational part of the Brazilian modernist discourse, starting with the Semana de Arte Moderna of 1922, and has been recently adopted by transcultural and postcolonial approaches, the current call for a decolonization of Art History invites to reread the Manifesto and ask whether regurgitating Cannibalism can still be a critical tool. [more]

Tra le immagini, il tempo

Research Seminar
La pratica cinematografica ha esplorato in diverse direzioni la relazione con il tempo; attraverso differenti approcci si sono potute tracciare traiettorie in cui molteplici temporalità interagiscono in un discorso-processo aperto. [more]
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