Main Focus
- Contemporary art from postwar to the present
- Transnational artistic networks between Italy and the United States
- Contemporary art and animal studies
- Art and politics
- Italian conceptual art
Research Project
Painting and Spreading Dissent: American Social Realism and Its Reception in Italy (1954–1973)
Curriculum Vitae
Gianlorenzo Chiaraluce is a postdoctoral researcher at the Bibliotheca
Hertziana – Max-Planck-Institut für Kunstgeschichte, where he is
carrying out a project on the reception of American Social Realism in Italy
between the 1950s and 1970s. In 2025, he obtained his PhD from Sapienza
University of Rome, where he currently serves as teaching assistant in Contemporary Art History.
He has participated in numerous conferences in Italy and abroad and has
published academic papers on topics related to art history from the postwar to
the present, focusing on artists such as Gianfranco Baruchello, Victor Brauner,
and Jimmie Durham, as well as on the artistic relations between Italy and the
United States, contemporary art and its dialogue with animal studies. He was
also a member of the research team for the European project “EULiterArt.”
Over the years, he has curated or contributed to various exhibitions, most
recently co-curating the show “Naturale
Innaturale” at Fondazione Ago in Modena and editing its catalogue,
published by Silvana Editoriale. He is also the Artistic Coordinator of the
Associazione Giovani Collezionisti and has collaborated with public and private
institutions, such as Museo MACRO and Fondazione Baruchello. He regularly writes about contemporary art for specialized journals.