Junior Scholars
Dipartimento Michalsky
Florian Abe, M.A.
"Die geystlich Straß". Late Medieval Stations of the Cross as Immersive Urban Ensembles of Salvation
Valentina Balzarotti, Ph.D.
Dalla Galleria delle Carte Geografiche all’Italia di Giovanni Antonio Magini: Persistenza, ricorrenza e rielaborazione del modello di Flavio Biondo nella produzione cartografica e testuale tra Gregorio XIII e Clemente VIII
Dr. Adrian Bremenkamp
Historische Topographie der Repräsentation von Heiligen im Kontext dynastischer Legitimation und Identifikation in Süditalien (13.–14. Jahrhundert)
Marco Brunetti, Ph.D.
Topography and Images of the Esquiline Hill from 14th to 16th Century
Viviana Costagliola, Ph.D.
Napoli e i suoi contorni: la documentazione fotografica del patrimonio storico-artistico di Napoli e dell’Italia Meridionale (1861-1914)
Anna Chiara Giusa, M.A.
Messina 1509–1557: A Centre for Artistic Experimentation
Dr. Jana Graul
Artistic Concepts of Europe
Torben Hanhart, MSt
An der Brust des Herrn. Maternal Gestures and the Christian God in 16th- and 17th-Century Art
Alberto Lo Pinto, Ph.D.
Milano, luogo di fobia sociale: esaminare questioni di modernità e genere ne "La Notte" (1961) di Michelangelo Antonioni
Salvatore Martinelli, M.A.
Die kosmologische figura des Antonino Saliba
Dr. Elisabetta Scirocco
Die Bewältigung von Naturkatastrophen im Spiegel der historischen Rekonstruktionen Neapels
Antonino Tranchina, Ph.D.
Architettura sacra nello Stretto di Messina: il monachesimo greco e il patrocinio normanno
Carlo Ugolotti, Ph.D.
A Tale of Two Cities: The Cinematographic Representation of Naples from Fascism to the Republic (1922–1962)
Dipartimento Weddigen
«Africa sintetica, dinamica, simultanea»: Colonial Iconographies and Contexts in Italian Futurism
Other Worlds in a World of Othering. Institutional Critique in Italian Visual Countercultures
Heinrich Wölfflins "Italien und das deutsche Formgefühl" (1931)
Franz Engel, M.A.
Seismic Baroque: Coral Stone Churches in the Philippines of the Spanish Colonial Period (1565–1898) and Their Place in Global Architectural History
Dr. Elena Filippi
Heinrich Wölfflins "Die Kunst Albrecht Dürers" (1905)
Dr. Jacopo Galimberti
Comuni, fattorie e menhir. Echaurren, Baruchello, Sottsass e la domesticità maschile
Nora Guggenbühler, M.A.
Traveling Mary: Multiplication and Dissemination of Miraculous Images of Mary in the Hispanic World
Dr. Fernanda Marinho
Brazilian Modernism and the Italian Paradigm. The Commemorative Exhibition of the Fiftieth Anniversary of Official Immigration
Caterina Martinelli
Archivio Staccioli: 1971–1981
Dr. Seraina Renz
Crossing the Borders. Exchange in Art during the Cold War
Amir Saifullin, M.A.
'Setup' and 'Projection' as Modes of Organisation of Knowledge and Vision in Early Soviet Visual Culture
Ana Paula Salvat, M.A.
Brazil Photo Collection Project
Dr. Tobias Teutenberg
Heinrich Wölfflins "Kunstgeschichtliche Grundbegriffe" (1915)
Carlotta Vacchelli, Ph.D.
Fumetti d’avanguardia. Pablo Echaurren dai "quadratini" al graphic novel
Laura Valterio, M.A.
Striving for Eternity. Material Experimentation in Seventeenth Century Roman Painting
Sara Vitacca, Ph.D.
Virilità in città : corpo maschile e spazio urbano a Roma, dall'Unità al Fascismo
Gruppo di ricerca Visualizing Science (Fransen)
Dr. Christoph Sander
Diagrams in Early Modern Science: the Case of Magnetism