Junior Scholars
Dipartimento Michalsky
Florian Abe, M.A.
"Die geystlich Straß". Late Medieval Stations of the Cross as Immersive Urban Ensembles of Salvation
Dr. des. Adrian Bremenkamp
Historische Topographie der Repräsentation von Heiligen im Kontext dynastischer Legitimation und Identifikation in Süditalien (13.–14. Jahrhundert)
Patricia Pia Bornus, M.A.
Kunst und Kosmos. Astronomische Abbildungen der Frühen Neuzeit zwischen Ästhetik und Evidenz
Brandon Stuart Green, M.A., Princeton University Fellow
Confronting the Past in the Critical Third Century
Tommaso Morawski, Ph.D.
Mapping globalism. Geographical imagination, cartographic reason, and spatial practices of planetary consciousness in geo-aesthetic perspective
Dr. Elisabetta Scirocco
Die Bewältigung von Naturkatastrophen im Spiegel der historischen Rekonstruktionen Neapels
Dr. Margherita Tabanelli
La decorazione scultorea del castello di Lagopesole nel contesto: processi di interazione artistica in età tardosveva e protoangioina
Antonino Tranchina, Ph.D.
Architettura sacra nello Stretto di Messina: il monachesimo greco e il patrocinio normanno
Judith Utz, M.A.
Raumgreifend. Künstlerische Strategien materialästhetischer Konstitution von Raum in Süditalien 1000–1250
Susanne Watzenboeck, M.A.
Nanni Moretti – Io è un altro
Lora Webb, M.A., Kress Foundation
Kosmos Embodied: Eunuchs and Byzantine Art in the Ninth through Twelfth Centuries
Dr. Steffen Zierholz, Getty Foundation & American Council of Learned Societies Ricercatore post-dottorato
Demons, Minerals, and Media-Specificity: The Subterranean as a Productive Force in Early Modern Naples
Dipartimento Weddigen
Olga Acosta Luna, Ph.D.
Hasekura Tsunenaga in Rome. The Portrait as a Vestige of the Journey between Asia, America and Europe
Marica Antonucci, M.A.
After Engagement. Art and Community in Italy 1960–1978
Daniel Becker, M.A.
Das Aquatische und Fluide als skulpturales Element in der italienischen Kunst
Katharina Bedenbender, M.A.
Die theologia duplex der Agrumen in der Frühen Neuzeit. Goldene Früchte bei Giovanni Pontano und Andrea Mantegna
Maria Bremer, Ph.D.
Exhibition-Made History. Revisiting Epochal Shifts from the Modern to the Contemporary
Daniele Di Cola, Ph.D.
Tappeto e finestra: paradigmi a confronto nella pittura del Rinascimento italiano
Giorgia Gastaldon, Ph.D.
Tra impegno e disimpegno. L'arte delle donne a Roma negli anni Sessanta
Matthijs Jonker, Ph.D.
Amerindian Contributions to the Tesoro messicano
Charles Kang, M.A.
Before the Reality Effect: Wax Representations in Eighteenth-Century France
Charlotte Matter, M.A.
Made of Plastics: Uneasy Liaisons Between Art and Industry Around 1968
Emiliy Monty, M.A.
Printmaking in Rome in the Age of Philip II (1556–1598)
Dr. des. Katharine Stahlbuk
Dignitas domus. Die (Selbst-)Inszenierung eines Konvents als städtische Institution
Laura Valterio, M.A.
Ultima mano. Unfinished paintings and the end of the pictorial act
Clim Wijnands, M.A.
Pictokinetics: Polyfrontality and polyfocality in Renaissance Italy
Gruppo di ricerca Visualizing Science (Fransen)
Pamela Mackenzie, M.A.
Microscope/Macrocosm: Early Modern Technology, Visualization and Representations of Nature
Christoph Sander, M.A.
Diagrams in Early Modern Science: the Case of Magnetism