Wissenschaftlicher Nachwuchs
Abteilung Michalsky
Florian Abe, M.A.
"Die geystlich Straß". Kreuzweganlagen des Spätmittelalters als immersive Ensembles urbaner Heilsvermittlung
Valentina Balzarotti, Ph.D.
Dalla Galleria delle Carte Geografiche all’Italia di Giovanni Antonio Magini: Persistenza, ricorrenza e rielaborazione del modello di Flavio Biondo nella produzione cartografica e testuale tra Gregorio XIII e Clemente VIII
Dr. des. Adrian Bremenkamp
Historische Topographie der Repräsentation von Heiligen im Kontext dynastischer Legitimation und Identifikation in Süditalien (13.–14. Jahrhundert)
Patricia Pia Bornus, M.A.
Kunst und Kosmos. Astronomische Abbildungen der Frühen Neuzeit zwischen Ästhetik und Evidenz
Viviana Costagliola, Ph.D.
Napoli e i suoi contorni: la documentazione fotografica del patrimonio storico-artistico di Napoli e dell’Italia Meridionale (1861-1914)
Anna Chiara Giusa, M.A.
Messina 1509–1557: A Centre for Artistic Experimentation
Brandon Stuart Green, M.A., Princeton University Fellow
Confronting the Past in the Critical Third Century
Alberto Lo Pinto, Ph.D.
Milan as Site of Social Anxiety: Negotiating Notion of Modernity and Gender in Michelangelo Antonioni's "La Notte" (1961)
Salvatore Martinelli, M.A.
Die kosmologische figura des Antonino Saliba
Víctor Martín García
Che ogni occhio negozi da solo. Riflessioni intorno alla costruzione della storia, della memoria e dell’oblio nella pratica audiovisiva del found footage, cinema di compilazione e di archivio
Dr. Elisabetta Scirocco
Die Bewältigung von Naturkatastrophen im Spiegel der historischen Rekonstruktionen Neapels
Antonino Tranchina, Ph.D.
Architettura sacra nello Stretto di Messina: il monachesimo greco e il patrocinio normanno
Carlo Ugolotti, Ph.D.
A Tale of Two Cities: The Cinematographic Representation of Naples from Fascism to the Republic (1922–1962)
Judith Utz, M.A.
Raumgreifend. Künstlerische Strategien materialästhetischer Konstitution von Raum in Süditalien 1000–1250
Susanne Watzenboeck, M.A.
Nanni Moretti – Io è un altro
Lora Webb, M.A., Kress Foundation
Kosmos Embodied: Eunuchs and Byzantine Art in the Ninth through Twelfth Centuries
Dr. Steffen Zierholz, Getty Foundation & American Council of Learned Societies Ricercatore post-dottorato
Demons, Minerals, and Media-Specificity: The Subterranean as a Productive Force in Early Modern Naples
Abteilung Weddigen
Débora Alcaine, M.A.
Porter-Camnitzer’s studios: print as resistance (1964–1978)
Marica Antonucci, M.A.
After Engagement. Art and Community in Italy 1960–1978
Daniel Becker, M.A.
Das Aquatische und Fluide als skulpturales Element in der italienischen Kunst
Katharina Bedenbender, M.A.
Die theologia duplex der Agrumen in der Frühen Neuzeit. Goldene Früchte bei Giovanni Pontano und Andrea Mantegna
Maria Bremer, Ph.D.
Exhibition-Made History. Revisiting Epochal Shifts from the Modern to the Contemporary
Franz Engel, M.A.
Seismic Baroque: Coral Stone Churches in the Philippines of the Spanish Colonial Period (1565–1898) and Their Place in Global Architectural History
Giorgia Gastaldon, Ph.D.
Tra impegno e disimpegno. L'arte delle donne a Roma negli anni Sessanta
Nora Guggenbühler, M.A.
Maria auf Reisen. Vervielfältigung und Verbreitung marianischer Gnadenbilder in der hispanischen Welt
Charles Kang, M.A.
Before the Reality Effect: Wax Representations in Eighteenth-Century France
Dr. Fernanda Marinho
Brazilian Modernism and the Italian Paradigm. The Commemorative Exhibition of the Fiftieth Anniversary of Official Immigration
Charlotte Matter, M.A.
Made of Plastics: Uneasy Liaisons Between Art and Industry Around 1968
Emily Monty, M.A.
Printmaking in Rome in the Age of Philip II (1556–1598)
Dr. Alexander Röstel
The Cultural Exchanges between Italy and Portugal, c. 1400-1750
Amir Saifullin, M.A.
'Setup' and 'Projection' as Modes of Organisation of Knowledge and Vision in Early Soviet Visual Culture
Dr. des. Katharine Stahlbuhk
Dignitas domus. Die (Selbst-)Inszenierung eines Konvents als städtische Institution
Barbara Tiberi, M.A.
Creativity and the Production Sector: Artists and Industries in the 1960s. The Case of Italy in the International Context
Laura Valterio, M.A.
Ultima mano. Unfinished paintings and the end of the pictorial act
David Zagoury, Ph.D.
Perpetuum. Continuous Pictorial Fields 'around' 1555
Forschungsgruppe Visualizing Science (Fransen)
Pamela Mackenzie, M.A.
Microscope/Macrocosm: Early Modern Technology, Visualization and Representations of Nature
Christoph Sander, M.A.
Diagramme in den Wissenschaften der Frühen Neuzeit: Das Fallbeispiel Magnetismus
Oscar Seip, M.A.
Visualizing Theatres of Knowledge: The Science and Media of Epistemic Theatres in Early Modern Europe