Wissenschaftlicher Nachwuchs
Abteilung Michalsky
Florian Abe, M.A.
"Die geystlich Straß". Kreuzweganlagen des Spätmittelalters als immersive Ensembles urbaner Heilsvermittlung
Valentina Balzarotti, Ph.D.
Dalla Galleria delle Carte Geografiche all’Italia di Giovanni Antonio Magini: Persistenza, ricorrenza e rielaborazione del modello di Flavio Biondo nella produzione cartografica e testuale tra Gregorio XIII e Clemente VIII
Dr. des. Adrian Bremenkamp
Historische Topographie der Repräsentation von Heiligen im Kontext dynastischer Legitimation und Identifikation in Süditalien (13.–14. Jahrhundert)
Patricia Pia Bornus, M.A.
Kunst und Kosmos. Astronomische Abbildungen der Frühen Neuzeit zwischen Ästhetik und Evidenz
Viviana Costagliola, Ph.D.
Napoli e i suoi contorni: la documentazione fotografica del patrimonio storico-artistico di Napoli e dell’Italia Meridionale (1861-1914)
Anna Chiara Giusa, M.A.
Messina 1509–1557: A Centre for Artistic Experimentation
Alberto Lo Pinto, Ph.D.
Milan as Site of Social Anxiety: Negotiating Notion of Modernity and Gender in Michelangelo Antonioni's "La Notte" (1961)
Salvatore Martinelli, M.A.
Die kosmologische figura des Antonino Saliba
Víctor Martín García
Che ogni occhio negozi da solo. Riflessioni intorno alla costruzione della storia, della memoria e dell’oblio nella pratica audiovisiva del found footage, cinema di compilazione e di archivio
Dr. Elisabetta Scirocco
Die Bewältigung von Naturkatastrophen im Spiegel der historischen Rekonstruktionen Neapels
Dr. Sabine Sommerer
Performanz der Stühle. Materialität und Medialität mittelalterlicher Sitzgelegenheiten
Antonino Tranchina, Ph.D.
Architettura sacra nello Stretto di Messina: il monachesimo greco e il patrocinio normanno
Carlo Ugolotti, Ph.D.
A Tale of Two Cities: The Cinematographic Representation of Naples from Fascism to the Republic (1922–1962)
Judith Utz, M.A.
Raumgreifend. Künstlerische Strategien materialästhetischer Konstitution von Raum in Süditalien 1000–1250
Susanne Watzenboeck, M.A.
Nanni Moretti – Io è un altro
Abteilung Weddigen
Marica Antonucci, M.A.
After Engagement. Art and Community in Italy 1960–1978
Daniel Becker, M.A.
Das Aquatische und Fluide als skulpturales Element in der italienischen Kunst
Katharina Bedenbender, M.A.
Die theologia duplex der Agrumen in der Frühen Neuzeit. Goldene Früchte bei Giovanni Pontano und Andrea Mantegna
Maria Bremer, Ph.D.
Exhibition-Made History. Revisiting Epochal Shifts from the Modern to the Contemporary
Franz Engel, M.A.
Seismic Baroque: Coral Stone Churches in the Philippines of the Spanish Colonial Period (1565–1898) and Their Place in Global Architectural History
Nora Guggenbühler, M.A.
Maria auf Reisen. Vervielfältigung und Verbreitung marianischer Gnadenbilder in der hispanischen Welt
Charles Kang, M.A.
Before the Reality Effect: Wax Representations in Eighteenth-Century France
Lilla Mátyók-Engel, M.A.
Zwischen Innovation und Konservierung. Objekte der Nationalbruderschaft der Hl. Katharina aus Sienain Rom (ca. 1520–1625)
Dr. Fernanda Marinho
Brazilian Modernism and the Italian Paradigm. The Commemorative Exhibition of the Fiftieth Anniversary of Official Immigration
Emiliy Monty, M.A.
Printmaking in Rome in the Age of Philip II (1556–1598)
Carlotta Paltrinieri, Ph.D.
Networks of Florentine Artistic Influence in the Roman Seicento: Inside and Outside the Nazione Fiorentina
Vanessa Parent, Ph.D.
The Body, Language, Labour and Ritual: Embodied Resistance, Mutual Recognition and the Political Potential of De-culturation
Dr. Alexander Röstel
The Cultural Exchanges between Italy and Portugal, c. 1400-1750
Amir Saifullin, M.A.
'Setup' and 'Projection' as Modes of Organisation of Knowledge and Vision in Early Soviet Visual Culture
Dr. des. Katharine Stahlbuhk
Dignitas domus. Die (Selbst-)Inszenierung eines Konvents als städtische Institution
Barbara Tiberi, M.A.
Creativity and the Production Sector: Artists and Industries in the 1960s. The Case of Italy in the International Context
Laura Valterio, M.A.
Striving for Eternity. Material Experimentation in Seventeenth Century Roman Painting
David Zagoury, Ph.D.
Perpetuum. Continuous Pictorial Fields 'around' 1555
Forschungsgruppe Visualizing Science (Fransen)
Giosuè Fabiano, M.A.
Natural Light, Religious Time and Mural Painting in Late Medieval and Early Renaissance Italy (c. 1250–1500)
Pamela Mackenzie, M.A.
Microscope/Macrocosm: Early Modern Technology, Visualization and Representations of Nature
Jaya Remond, Ph.D.
Expanding Fields of Vision: Pictures, Plants, and Artistic Authority
Christoph Sander, M.A.
Diagramme in den Wissenschaften der Frühen Neuzeit: Das Fallbeispiel Magnetismus
Oscar Seip, M.A.
Visualizing Theatres of Knowledge: The Science and Media of Epistemic Theatres in Early Modern Europe