Large-scale pictorial tapestries ranked among the most precious art forms in the early modern period. While their circulations and functions among European courts have been well studied, less known are their journeys to China and subsequent roles in stimulating new developments in Qing imperial arts.
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Gen AI’s images are a distillation of the internet, inheriting the text categories assigned to images alongside the images themselves. How do artists work with, or resist, these competing systems of powers, logics, and communication?
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