Risultati della ricerca

García de Jalón Oyarzun, L.: Digital Doubles. The Major Agency of Minor Bits. In: AD Architectural Design, Architectures of Refusal (Ed. Stoner, J.) (2022)

García de Jalón Oyarzun, L.: Windowish practices, unreadable backgrounds and raw semiotics. Tracing minor architectures and ecologies of signs in women’s writing. In: ZARCH, 18 Mujeres, prácticas feministas y profesionales alternativas en la arquitectura (2022)

Giordana, M.: Strategie dello sguardo tra mobilità e appartenenza. Viaggio in Italia di Roberto Rossellini. In: Geografie della migrazione nel cinema italiano. Luoghi e immaginari del transito, Pagg. 69 - 86 (Ed. Bremenkamp, A.; Michalsky, T.; Giordana, M.; Marmo, L.). Rom (2022)

Giordana, M.; Marmo, L.: Linguaggio filmico e performance del confine nel cinema italiano. In: Geografie della migrazione nel cinema italiano. Luoghi e immaginari del transito, Pagg. 11 - 45 (Ed. Bremenkamp, A.; Michalsky, T.; Giordana, M.; Marmo, L.). Rom (2022)

Giusa, A. C.: catalogue entry (Cat. 15) on a Parmigianino drawing in the Courtauld Gallery. In: The Art of Experiment: Parmigianino at the Courtauld, Pagg. 96 - 98 (Ed. Gottardo, K.; Rebecchini, G.). Paul Holberton Publishing, London (2022)

Giusa, A. C.: catalogue entry (cat. 24) on a Parmigianino drawing in the Courtauld Gallery. In: The Art of Experiment: Parmigianino at the Courtauld, Pagg. 122 - 125 (Ed. Gottardo, K.; Rebecchini, G.). Paul Holberton Publishing, London (2022)

Graul, J.: Intrigues, Punches, and a Poisoned Salad. The Dark Side of Artistic Rivalries. In: Idols & Rivals. Artistic Competition in Antiquity and the Early Modern Era, Pagg. 152 - 159 (Ed. Swoboda, G.). Berlin (2022)

Graul, J.: Giorgio Vasari, Porträt des Andrea del Castagno. In: Idole und Rivalen. Künstlerischer Wettstreit in Antike und Früher Neuzeit (Ausstellungskatalog Wien), Pag. 166 (Ed. Swoboda, G.). Berlin (2022)

Graul, J.: Andrea Mantegna, Kampf der Meeresgötter; Filippo Negroli/ Giovan Battista Negroli, Medusenschild; Joachim von Sandrart, Minerva und Tempus beschützen Kunst und Wissenschaft vor Lüge und Neid. In: Idole und Rivalen. Künstlerischer Wettstreit in Antike und Früher Neuzeit (Ausstellungskatalog Wien), Pagg. 167 - 171 (Ed. Swoboda, G.). Berlin (2022)

Graul, J.: Andrea Mantegna, Battle of the Sea Gods, Filippo Negroli/ Giovan Battista Negroli, Medusa Shild, Joachim von Sandrart, Minerva and Tempus Protecting the Arts and Science from Envy and Lies. In: Idols & Rivals. Artistic Competition in Antiquity and the Early Modern Era, Pagg. 167 - 171 (Ed. Swoboda, G.). Berlin (2022)

Jorink, E.: Cartesian Sex. Dutch anatomists on genitalia, lust and intercourse (ca 1660-1680). In: Les Libertins néerlandais/The Dutch Libertines. Libertinage et philosophie à l’époque classique (xvi--xviii siècle), Pagg. 248 - 299 (Ed. Gengoux, N.; Girard, P.; Laerke, M.). Paris (2022)

Kondratiuk, A.: До питання семантики монументального живопису церкви Спаса на Берестові (On the issue of semantics of the monumental painting of the Church of the Savior at Berestove). In: Культура і мистецтво: сучасний науковий вимір: матеріали VI Всеукр. наук. конф. молод. вч., асп. та магістран (Culture and art: modern scientific dimension: materials of the VI All-Ukrainian scietific conference of the young academician, assist. and young scientists), Pagg. 74 - 75. Kiew (2022)

Kulchynska, L.: Violence is an Image: Weaponization of the Visuality During the War in Ukraine. In: Tactical Media Room Ukraine (2022)

Maurer, G.: Glanz und (vor allem) Elend – Deutsche Künstler der Romantik in Rom. In: Reframing Friedrich Nerly. Landschaftsmaler, Reisender, Verkaufstalent, Pagg. 103 - 126 (Ed. Denk, C.; Schierz, K. U.; von Taschitzki, T.). München (2022)

Maurer, G.: Dipingere quello che non si vede. Le Paludi Pontine nella recezione dei viaggiatori e pittori tedeschi della prima metà dell’Ottocento. In: Ninfa. Percezioni nella scienza, nella letteratura e belle arti nel XIX e all’inizio del XX secolo, Pagg. 193 - 198 (Ed. Matheus, M.). Regensburg (2022)

Maurer, G.: ‘Was Ihnen und andern Freude macht ...‘ – Zeichnen im Zeitalter Goethes. In: Zeichnen im Zeitalter Goethes (Ausstellungskatalog Frankfurt 2022), Pagg. 34 - 37 (Ed. Hennig, M.; Struck, N.). Frankfurt (2022)

Michalsky, T.; Scirocco, E.; Rywikowá, D.: Royal nunneries at the center of medieval Europe: art, architecture, aesthetics (13th-14th centuries). In: Royal Nunneries at the Center of Europe. Art, Architecture, Aesthetics (13th-14th Centuries), Convivium, Supplementum, Pagg. 10 - 19 (2022)

Minden, A.; Savoia, P.: The Body Between Life and Death: Berengario da Carpi and the Anatomical Imagery of the Sixteenth Century. In: Rethinking Medical Humanities: Perspectives from the Arts and Social Sciences, Pagg. 173 - 204 (Ed. Canalis, R. F.; Ciavolella, M.; Finucci, V.). Berlin (2022)

Musial, A.: Beyond capriccio: Piranesi’s transgressive classicism and its Eastern European receptions. In: Piranesi@300, Pagg. 185 - 193 (Ed. Bevilacqua, M.; Hornsby, C.). Rom (2022)

Özel, C.: Jan van der Hamen y León, Jan van Rossum, Cornelis Bisshop. In: Idole & Rivalen. Künstlerischer Wettstreit in Antike und Früher Neuzeit (Ausstellungskatalog, Wien, Kunsthistorisches Museum, 20.9.2022–8.1.2023), Pagg. 44 - 47 (Ed. Swoboda, G.) (2022)