Risultati della ricerca

Varela Braga, A.: Il Gusto Moresco. Amateurs and Artists in Florence and Rome during the Second Half of the 19th Century. In: Mudejarismo and Moorish Revival in Europe. Cultural Negotiations and Artistic Translations in the Middle Ages and 19th-century Historicism, Pagg. 173 - 191 (Ed. Giese, F.). Leiden (2021)

Varela Braga, A.: Learning from Casts and Models. Schools and Academies in 19th-Century Europe and the Specific Case of the Alhambra Collection in St. Petersburg. In: Mudejarismo and Moorish Revival in Europe. Cultural Negotiations and Artistic Translations in the Middle Ages and 19th-century Historicism, Pagg. 235 - 265 (Ed. Giese, F.). Leiden (2021)

Varela Braga, A.: The Alhambra as a Historicist Matrix for Museum Display. In: Mudejarismo and Moorish Revival in Europe. Cultural Negotiations and Artistic Translations in the Middle Ages and 19th-century Historicism, Pagg. 327 - 347 (Ed. Giese, F.). Leiden (2021)

Varela Braga, A.: The Fortune of the Court of the Lions and the Court of the Dolls. Artistic Trans-lations and Processes of Decontextualization. In: Mudejarismo and Moorish Revival in Europe. Cultural Negotiations and Artistic Translations in the Middle Ages and 19th-century Historicism, Pagg. 379 - 409 (Ed. Giese, F.). Leiden (2021)

Varela Braga, A.: The Hybridization of Sebka Ornament. In: Mudejarismo and Moorish Revival in Europe. Cultural Negotiations and Artistic Translations in the Middle Ages and 19th-century Historicism, Pagg. 431 - 459 (Ed. Gise, F.). Leiden (2021)

Varela Braga, A.: Revisiting the Alhambra. Transmediality and Transmateriality in 19th-Century Italy. In: Mudejarismo and Moorish Revival in Europe. Cultural Negotiations and Artistic Translations in the Middle Ages and 19th-century Historicism, Pagg. 463 - 489 (Ed. Giese, F.). Leiden (2021)

Vitacca, S.: Sur les traces de Michel-Ange: Artistes et écrivains à Florence à la fin du XIXe siècle. In: Florence, ville d’art, et les français: la création d’un mythe, Pagg. 111 - 122 (Ed. Lepoittevin, A.; Merot, A.) (2021)

Weiß, M.: Viel Silber, wenig Gold. Zum "permanenten" Sprechen von Joseph Beuys. In: Von der Sprache aus. Joseph Beuys zum 100. Geburtstag, Pagg. 154 - 161 (Ed. Schallenberg, N.). Berlin (2021)

Weiß, M.: A lot of Silver, not much Gold. On the "permanent" speaking of Joseph Beuys. In: Starting from Language. Joseph Beuys at 100, Pagg. 154 - 161 (Ed. Schallenberg, N.). Berlin (2021)

Weiß, M.: Cytherian China. In: Reading Objects in the Contact Zone, Pagg. 67 - 72 (Ed. Messner, A.). Heidelberg (2021)

Weiß, M.: Entangled Histories. In: Reading Objects in the Contact Zone, Pagg. 221 - 223 (Ed. Messner, A.). Heidelberg (2021)

Weiß, M.: Europerie. In: Reading Objects in the Contact Zone, Pagg. 223 - 224 (Ed. Messner, A.) (2021)

Acosta Luna, O. I.: Forming the National School of Fine Arts in Colombia: Local Desires and External Influences. In: Academies and Schools of Art in Latin America, Pagg. 65 - 78 (Ed. Vasquez, O.). Ashgate (2020)

Acosta Luna, O. I.: La Virgen de Chiquinquirá. Reflexiones sobre una “imagen tan desblanquecida, y sin facciones”// Virgin of Chiquinquirá: Reflections on an “Image So Faded and Featureless”. In: Materia Americana. The “body” of Spanish American images, Pagg. 387 - 389 (Ed. Siracusano, G.). Buenos Aires (2020)

Adamou, A.; D'Aquin, M.: Relaxing Global-as-View in Mediated Data Integration from Linked Data. In: Semantic Big Data @SIGMOD 2020, Pagg. 1 - 6. Portland (2020)

Adamou, A.; D'Aquin, M.: Linked Data Principles for Data Lakes. In: Data Lakes, Pagg. 145 - 169 (2020)

Adamou, A.; Egloff, M.; Picca, D.: Enabling Ontology-Based Data Access to Project Gutenberg. In: Workshop on Humanities in the Semantic Web, Pagg. 21 - 32. Heraklion (2020)

Albath, M.: Nachwort. In: Dacia Maraini, Die stumme Herzogin, Pagg. 353 - 363. Bozen (2020)

Balzarotti, V.: Le Logge di Gregorio XIII: Lorenzo Sabatini e il modello raffaellesco. In: Gregorio XIII Boncompagni - un quadro nel quadro "per speculum et in aenigmate", Pagg. 147 - 169 (Ed. Bertini, F.; Dalle Fave, D.). Rom (2020)

Barral i Altet, X.: Corti, principi e committenze artistiche nell’area mediterranea. In: Principi e corti nel Rinascimento meridionale, Pagg. 21 - 42 (Ed. Delle Donne, F.; Pesiri, G.). Rom (2020)