Publikationen von Joris van Gastel

Gastel, J. v.: Slow Violence. Jusepe de Ribera and the Limits of Naturalism. Oxford Art Journal 41 (2018)

Gastel, J. v.: The Materiality of Enchantment. Rethinking Neapolitan Marble Intarsia. Open Art Journal (2018)

Gastel, J. v.: A Fiammingo in Rome. Artus Quellinus and the Origins of the Northern Baroque Bust. The Rijksmuseum Bulletin 64 (2), S. 120 - 138 (2016)

D'Ovidio, S.; Gastel, J. v.; Michalsky, T. (Hg.): Città tangibili. Materialità e identità in Italia meridionale. Campisano, Rom (2020), 320 S.

Gastel, J. v.: Rezension von Stefano Pierguidi: Pittura di marmo. Storia e fortuna delle pale d’altare a rilievo nella Roma di Bernini, Florenz 2017. Renaissance Quarterly 71 (2018)

Gastel, J. v.: Rezension von Christopher R. Marshall: Baroque Naples and the Industry of Painting. The World in the Workbench, New Haven 2016. Art History 41 (2018)

Gastel, J. v.: Rezenzion zu »J. Nicholas Napoli, The Ethics of Ornament in Early Modern Naples. Fashioning the Certosa di San Martino, Farnham 2015«. Renaissance Quarterly 69 (3), S. 1058 - 1059 (2016)

Gastel, J. v.: Dressed in Marble. Stoffwechsel and Ephemerality in Baroque Naples. In: Steinformen. Materialität, Qualität, Imitation. Berlin (2018)

Gastel, J. v.: Controversial Continuities. Giacinto Gimma and the Art of Marble Intarsia. In: Radical Marble. Aldershot (2018)

Gastel, J. v.: Body and Clay. Material Agency from an Early Modern Perspective. In: Material Bernini, S. 105 - 120 (Hg. Levy , E.; Mangone, C.). London (2016)

Gastel, J. v.: Auf fruchtbarem Boden. Das neapolitanische Stillleben. In: Caravaggios Erben. Barock in Neapel (Ausstellungskatalog Wiesbaden 2016/2017), S. 226 - 237 (Hg. Forster, P.; Oy-Marra , E.; Damm, H.) (2016)

Gastel, J. v.: Ambiguities of the Flesh. Touch and Arousal in Roman Baroque Sculpture. In: Magische Bilder. Techniken der Verzauberung in der Kunst vom Mittelalter bis zur Gegenwart, S. 161 - 181 (Hg. Fleckner, U.; Wenderholm, I.). Berlin (2016)