Media Histories of Sculpture
Workshop
- Data: 12.10.2023
- Ora: 09:00 - 18:00
- Relatore: Workshop
- Luogo: Villino Stroganoff, Via Gregoriana 22, 00187 Rome and online
- Contatto: freiberg@biblhertz.it
In doing so, it looks at how changing media ecologies have shaped the ways in which the fluid category of sculpture has been understood as well as how different media practices have impacted the way sculpture is conceived, produced, presented, and displayed.
Please find the video registration of the event on our VIMEO CHANNEL: https://vimeo.com/manage/videos/878277056
Program
09:00–09:30 Welcome
/ Introduction
Session
1 – Chair: Giovanna Targia
09:30–10:20 Stefanie
Klamm (FU Berlin): Casts – Drawings – Photographs: Entangled Media Histories of Sculpture
in Archaeology
10:20–11:10 Patrizia
Di Bello (Birkbeck, University of London): Sculpture, Photography, Body: A Long History of
Intermedial Entanglements
11:10–11:40 Coffee
Break
11:40–12:30 Joris
van Gastel (University of Zurich): The Eye and the Lens: Towards a Media History of the Perception of
Sculpture
12:30–13:20 Megan
Luke (University of Tübingen):“Raumscheu” and the Sculptural Replica
13:20–14:20 Lunch
Break
Session 2 – Chair: Tristan
Weddigen
14:20–15:10 Ursula Ströbele (HBK Braunschweig): Elasticity in Twentieth-Century Sculpture:
Que(e)r(y)ing the Canon
15:10–16:00 Sofia Pirandello
(University of Milan): Untouchables: What is it Like to Be an Augmented
Reality Sculpture
16:00–16:30 Coffee
Break
16:30–17:20 Jens
Schröter (University of Bonn): Holography and Sculpture
17:20–18:00 Concluding
discussion
Scientific Organization: Joris van Gastel (University of Zurich), with Giovanna Targia (University of Zurich) and Tristan Weddigen (Bibliotheca Hertziana)
Image: William Henry Fox Talbot, Casts on Three Shelves, in the Courtyard of Lacock Abbey (detail), c. 1842–44,Salted paper print from a paper negative, 18 × 17.9 cm (sheet), Getty Museum, Los Angeles