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Relatore: Giorgio Tagliaferro
Recent scholarship has increasingly emphasised Titian's ability to allure the viewer into his paintings through the tactile effects of sensuous colouring. In contrast, little attention has been paid to other strategies pursued by the Venetian artist to connect with the spectator, for instance by using pictorial devices that test the possibilities of painting to simulate a three-dimensional space on a bi-dimensional surface. [more]
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