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Relatore: Jennifer Chuong in conversation with Esther Chadwick

Scraping the Surface: Mezzotint and the Delicate Matter of Skin in Eighteenth-Century Britain

Part of the research seminar series 'Conserving Histories of Art'
Made by rocking a toothed blade across a plate thousands of times to create a delicate burred surface and then scraping or burnishing the burrs to create tonal gradations, the mezzotint – both as matrix and print – is notoriously fragile. [di più]
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